德意志之戀

★ 5.4 播放：05萬 更新：2026-04-24

禁斷之戀題材影片；原文機譯內(nèi)容：1983年5月，一個人轉(zhuǎn)49，并與他17歲的兒子，行程，村里在巴登，他尚余40年。他想找出發(fā)生了什么事的話，關(guān)于婚外情的真相他的母親有戰(zhàn)爭的年輕的波蘭囚犯，當(dāng)局如何來學(xué)習(xí)它，戀人被逮捕，和善后事宜。而他的兒子采取寶麗來照片，他追溯了他的童年和采訪那些誰應(yīng)該記住的步驟。這個故事被公開在倒敘，重點戀人（寶琳娜和斯坦尼斯勞斯），在嫉妒和縱容的鄰居，和邁耶，當(dāng)?shù)刂笓]官的SS誰想要找到出路的必然后果。 　　

在線播放

劇情簡介

禁斷之戀題材影片；原文機譯內(nèi)容：1983年5月，一個人轉(zhuǎn)49，并與他17歲的兒子，行程，村里在巴登，他尚余40年。他想找出發(fā)生了什么事的話，關(guān)于婚外情的真相他的母親有戰(zhàn)爭的年輕的波蘭囚犯，當(dāng)局如何來學(xué)習(xí)它，戀人被逮捕，和善后事宜。而他的兒子采取寶麗來照片，他追溯了他的童年和采訪那些誰應(yīng)該記住的步驟。這個故事被公開在倒敘，重點戀人（寶琳娜和斯坦尼斯勞斯），在嫉妒和縱容的鄰居，和邁耶，當(dāng)?shù)刂笓]官的SS誰想要找到出路的必然后果。 　　

導(dǎo)演精選

做個有錢人

　　Success in business, having a happy family, and being a rich one are what most people wish for. This is also the wish of the young man A-Hwa. Those who are hardworking, responsible and know how to be grateful will surely be rich and become wealthy.

一個星期三的下午

　　一名男子打電話給孟買警方并告訴他們，他已經(jīng)把5個不同的炸彈安置在城市之內(nèi)，并已經(jīng)設(shè)定在同一時間爆炸-他希望以此交換4名恐怖分子。他是否能換回他們？背后的黑手是誰？動機又是什么呢？是否不是表面上看起來那么簡單呢？

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster