羅曼史 Romance

★ 1.8 播放：14萬 更新：2026-04-27

年輕漂亮的小學(xué)教師瑪麗（Caroline Ducey 凱瑟琳?杜希 飾）與相識三個月的男友保羅（Sagamore Stévenin 薩加莫爾?史蒂文 飾）同居，雖然保羅口口聲聲說深愛瑪麗，卻從不與她做愛。縱然瑪麗極盡挑逗之能，也始終得不到回應(yīng)。倍感失落和挫折的她終于嘗試出軌，她周轉(zhuǎn)與各色男人之間，盡情享受久違的肉體歡愉。然而即便如此，瑪麗仍然瘋狂愛著那個讓她心碎、嫉妒、癡迷的保羅。在不甚成功的床第歡愉之后，瑪麗終于懷有身孕，也如愿和保羅走入婚姻的殿堂。只是，似乎一切并未因此有所改變……

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劇情簡介

年輕漂亮的小學(xué)教師瑪麗（Caroline Ducey 凱瑟琳?杜希 飾）與相識三個月的男友保羅（Sagamore Stévenin 薩加莫爾?史蒂文 飾）同居，雖然保羅口口聲聲說深愛瑪麗，卻從不與她做愛。縱然瑪麗極盡挑逗之能，也始終得不到回應(yīng)。倍感失落和挫折的她終于嘗試出軌，她周轉(zhuǎn)與各色男人之間，盡情享受久違的肉體歡愉。然而即便如此，瑪麗仍然瘋狂愛著那個讓她心碎、嫉妒、癡迷的保羅。在不甚成功的床第歡愉之后，瑪麗終于懷有身孕，也如愿和保羅走入婚姻的殿堂。只是，似乎一切并未因此有所改變……

導(dǎo)演精選

DB

來自河北廊坊的說唱少年，王笑，因一次意外打架事件背負(fù)巨額欠款。王笑母親在不明真相的情況下替王笑支付了該筆欠款，王笑知道后和母親大吵一架并且決定前往北京打工還債。來到北京之后王笑接連租房受騙，感情受挫，說唱事業(yè)也無法繼續(xù)發(fā)展，而且再次欠下巨額欠款。王笑該如何面對這一切？

執(zhí)法記錄

兩名警察在出警處理一樁家庭糾紛時(shí)，不慎釀成了一起槍擊意外。為了避免成為輿論的眾矢之的，他們選擇聯(lián)手掩蓋真相。隨著事態(tài)逐漸失控，他們才驚覺——監(jiān)視他們的，遠(yuǎn)不止現(xiàn)場的攝像頭…

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.