竊欲無罪

教皇行動

觸電2025

人到中年的車仔擁有一間網(wǎng)吧，但在手機游戲的沖擊下，早已人氣不再；三十未到的電競選手邦少正在面對實力下滑的職業(yè)困境；單親家庭長大的霏霏大學畢業(yè)超過五年，還未有過一份穩(wěn)定工作。曾是動作巨星的八爺因為妻子阿蘭出現(xiàn)腦退化，年過70的二人嘗試利用電子游戲來鍛煉大腦。一張全港電競賽的征集海報，讓想要拯救網(wǎng)吧的車仔決定組隊。車仔、霏霏、八爺，三個新手再加上一個急于證明自己的邦少，Happy Hour電競隊正式成立。親情、友情的羈絆化作電競賽場的搏殺，一場不可能完成的戰(zhàn)斗，讓心懷夢想的他們不再抱憾。

喜羊羊與灰太狼之羊年喜羊羊

　　在陽光明媚的日子里，灰太狼突然闖入羊村，雖然他被小羊羊們擊退，卻把村長的變身魔毯打劫回去。表現(xiàn)英勇的喜羊羊受到伙伴們的稱贊，而懶羊羊?qū)Υ朔炊行崙嵅黄健榱俗C明自己的實力，他將慢羊羊的時空照相機錯認為手槍，將其偷走后闖入狼堡。得知消息的喜羊羊匆匆趕去營救，結(jié)果在混亂之中被卷入時空亂流回到了遠古時代，灰太狼和懶羊羊更被魔毯互換了身體。灰太狼無意中被原始羊的千金相為駙馬，懶羊羊則成為幾只笨狼的首領?！　】膳碌氖怯幸粭l能把任何生物變成石頭的惡龍肆虐，為了保衛(wèi)原始時代的朋友們，喜羊羊他們攜手挑戰(zhàn)惡龍，懶羊羊更成為了足以改變歷史的英雄人物……

嚦咕嚦咕新年財

　　德華（劉德華飾）喜歡打牌，以打牌為生的他出名好牌技好牌品，與他相戀多年的詠琪（梁詠琪飾）因為牌品差，始終沒能與德華結(jié)為連理，令她頓足。德華的弟弟天樂（古天樂飾）知道哥哥要以打牌為生養(yǎng)活患有癡呆癥的母親和正在讀書的自己，決定跟青云（劉青云飾）打牌比試，誰知連連落敗?！　∫淮闻凭种?，詠琪不甘被德華以牌品的問題多次推搪婚約，便咀咒他從此“一世摸爛牌”，跟著同樣拜師不成的青云離開了。　　咀咒真的靈驗了，使德華家道中落，但一向樂觀的他深信自己的“好朋友”會回來的。在弟弟公司舉行的麻將大賽中一路穩(wěn)打穩(wěn)扎，與青云再次對壘，最后能否獲勝呢？

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

瘋狂天才

　　A young mad genius attempts to 'hack the human mind' in order to fix humanity.