利莫諾夫:埃迪的歌謠 Limonov: The Ballad (2024)

0.8 播放:98萬 2026-04-26

影片由基里爾·謝列布連尼科夫(《彼得羅夫的流感》《盛夏》)執(zhí)導(dǎo),帕維烏·帕夫利科夫斯基(《修女艾達(dá)》《冷戰(zhàn)》)編劇,根據(jù)法國作家埃馬努埃萊·卡雷爾撰寫,描繪俄羅斯激進(jìn)詩人、持不同政見者愛德華·利莫諾夫的傳記小說改編。小說有著這樣一段描述,“激進(jìn)蘇聯(lián)詩人的駭人冒險(xiǎn):一個(gè)紐約的流浪漢、一個(gè)引起法蘭西轟動的人、一個(gè)俄羅斯的政治人物”。 利莫諾夫個(gè)人生活極富傳奇色彩,在曼哈頓他是富豪的管家,在巴黎他是作家,在俄羅斯他則是布爾什維克黨的政黨領(lǐng)袖。影片對白語言會根據(jù)拍攝地俄羅斯、紐約、巴黎的變換而對應(yīng)轉(zhuǎn)變。

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舉起手來2:追擊阿多丸號

潘長江,郭達(dá),劉小微

  1945年,第二次世界大戰(zhàn)接近尾聲,軸心國已成強(qiáng)弩之末,敗局已定。許多戰(zhàn)爭中被俘虜?shù)娜毡臼勘?jīng)過改造后,陸續(xù)踏上回國的旅途,這其中便包括羅圈腿中村下等兵(潘長江 飾)。然而,即使在這垂死關(guān)頭,帝國主義的貪婪仍舊沒有收斂。輪椅太君(胡曉光 飾)傷愈出院,親自負(fù)責(zé)指揮戰(zhàn)艦阿多丸運(yùn)送傷兵回國的重任,但是阿多丸還有一個(gè)秘密任務(wù),那就是將從中國劫掠來的文物偷運(yùn)出境。這個(gè)秘密被小劉(劉小微 飾)的父親——一個(gè)文物老專家所得知,他掌握著所有文物的清單,也因此遭到日寇的追殺。臨死之際,老教授將藏有清單的可樂瓶交給擔(dān)任聯(lián)絡(luò)員的郭大叔(郭達(dá) 飾)。偵知到日本人的陰謀,八路軍以及重慶方面的勢力都行動起來?! 《谶@一過程中,更大的陰謀也悄悄浮出水面……

喪尸足球

奧爾本·勒努瓦,布魯諾·薩拉曼,Charlie Bruneau,蒂法因·戴維斯,Ahmed Sylla,Patrick Ligardes,Xavier Laurent,Sebastien Vandenberghe,Alexandre Philip,Vincent Debost,Beno?t Moret

  又是一年足球賽季,成績不甚良好的巴黎隊(duì)即將前往卡布隆吉與當(dāng)?shù)厍蜿?duì)進(jìn)行對抗。巴黎隊(duì)球星山姆·羅瑞特(奧爾本·勒努瓦 Alban Lenoir 飾)出生于卡布隆吉,他最近表現(xiàn)不太出色,因此備受媒體奚落。與此同時(shí),眾多球迷相繼云集到球場,準(zhǔn)備欣賞一場精彩的賽事。杰諾特(Sebastien Vandenberghe 飾)飾卡布隆吉的一名球員,他似乎和山姆有著不可化解的仇恨,因此不惜借助未知藥物的幫忙。誰想到注射藥物過后,杰諾特突然暴走,儼然變成了嗜血如命的僵尸,只是這一變故還沒有什么人察覺。  漫長的旅途過后,巴黎隊(duì)抵達(dá)駐地,山姆被當(dāng)做叛徒遭到家鄉(xiāng)人的謾罵。此時(shí)沒有人知道,即將到來的比賽中將會發(fā)生什么可怕的事件……

惡魔的破壞 后篇

幾田莉拉,志水彩乃,種崎敦美,島袋美由利,大木咲繪子,和氣杏未,白石涼子,入野自由,內(nèi)山昂輝,坂泰斗,諏訪部順一,津田健次郎

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好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

超級倉鼠3:松鼠奇謀

A little girl has secret superpowers but can’t use them when a highway project is threatening the nearby forest. Desperate to save it, she invents an elaborate lie about an endangered flying squirrel inhabiting the woods.

無論如何我愛你

 這部精美的動畫短片由編劇/導(dǎo)演威爾·麥柯馬克和邁克爾·戈維爾聯(lián)手打造。在悲劇發(fā)生后,一對父母失去了孩子,傷心欲絕的他們要面對隨之而來的失落感。