性贊助

★ 6.0 播放：57萬 更新：2026-04-22

一部關(guān)于姐妹倆如何用身體求生的電影，講述了現(xiàn)實(shí)生活中的姐妹安吉拉·莫雷娜和米凱拉·拉茲的故事。為了養(yǎng)家糊口，賈斯敏成了一名商人的甜心寶貝。當(dāng)她得知這會(huì)讓她和姐姐的生命陷入危險(xiǎn)時(shí)，她對(duì)自己的選擇感到后悔。

在線播放

劇情簡(jiǎn)介

一部關(guān)于姐妹倆如何用身體求生的電影，講述了現(xiàn)實(shí)生活中的姐妹安吉拉·莫雷娜和米凱拉·拉茲的故事。為了養(yǎng)家糊口，賈斯敏成了一名商人的甜心寶貝。當(dāng)她得知這會(huì)讓她和姐姐的生命陷入危險(xiǎn)時(shí)，她對(duì)自己的選擇感到后悔。

導(dǎo)演精選

如來神掌2020

　　龍劍北因?yàn)橐I錢救自己病重的妹妹，在一次機(jī)緣巧合之下，接觸到神秘組織黑羽會(huì)，黑羽會(huì)不斷在做人體實(shí)驗(yàn)，企圖造出擁有超能力的改造人。為了錢，龍劍北接受超能力改造。由于控制不了體內(nèi)的超能力，龍劍北拜了一位老者為師，學(xué)習(xí)駕馭超能力，學(xué)會(huì)了如來神掌，并結(jié)識(shí)了一位武林中的名門正派，二人一同上路，展開了各種緊張刺激的冒險(xiǎn)……

惡靈重喪

5個(gè)寄養(yǎng)兄弟姐妹團(tuán)聚回憶，突然經(jīng)歷了一場(chǎng)災(zāi)難。最小的妹妹無法得救。事故發(fā)生后，四個(gè)兄弟姐妹被最小的妹妹嚇壞了。靈媒說，小妹妹不冷靜，她有話要說。四個(gè)兄弟姐妹發(fā)現(xiàn)了，這是什么？

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.