看護(hù)婦日記

? 8.9 播放:77萬(wàn) 2026-04-27

性感的喜劇,講述了一個(gè)雄心勃勃的護(hù)士誰(shuí)是有外遇的已婚醫(yī)生妻子的家人,誰(shuí)擁有醫(yī)院。   

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劇情提要

性感的喜劇,講述了一個(gè)雄心勃勃的護(hù)士誰(shuí)是有外遇的已婚醫(yī)生妻子的家人,誰(shuí)擁有醫(yī)院。   

幕后花絮

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

是的2025

富豪私人派對(duì)上,一對(duì)男女忘我炒熱氣氛,只要金主敢玩,他們十倍奉還。白天,兩人棲居小公寓照料幼子,她靠教舞維生,他則是潦倒音樂(lè)家。然而,手機(jī)里傳來(lái)的加沙煉獄景象使他們焦慮,周遭人們卻歡慶著血流成河,他們?yōu)榱藴仫?,繼續(xù)出賣(mài)靈魂。某夜,他收到酬勞可觀(guān)的邀約,卻必須將金主寫(xiě)下的魔鬼詩(shī)篇譜成新國(guó)歌。為了五斗米,他決定深入國(guó)族的集體創(chuàng)傷,尋找主旋律。