驚艷危情
分級(jí)：Hong Kong:III 一夜情為求發(fā)泄及享用魚(yú)水之歡，在你情我愿下，本無(wú)可厚非，但是人類乃感情動(dòng)物，明智常常十分脆弱，獸性行為，滲入了理性，越過(guò)了界限。一夜情就自然會(huì)變得很風(fēng)險(xiǎn)，孽緣情債便一發(fā)不可拾掇; 雅麗喜聽(tīng)收音機(jī)播送，常夢(mèng)想本人可以與能言善道，開(kāi)解心扉的DJ們交往，盡訴心中情。 在一次冶游夜店，雅麗僥幸地邂逅了一位名乎其實(shí)的DJ，她不其然盼望與共渡春宵，在她的誘惑下，DJ情不自禁，兩人辟室尋歡。
即刻觀影
劇情賞析
編輯推薦
靈幻夾克
艾德里安·布洛迪,凱拉·奈特莉,克里斯·克里斯托佛森,詹妮弗·杰森·李,丹尼爾·克雷格,凱莉·林奇,布拉德·蘭弗洛,斯蒂文·麥金托什,布蘭登·柯伊爾,麥肯茲·菲利浦斯,勞拉·馬蘭洛,詹森·劉易斯,喬哈·羅坦,安琪兒·庫(kù)碧時(shí)空的轉(zhuǎn)換，現(xiàn)在與未來(lái)的穿梭，都在杰克（亞德里安·布洛迪 Adrien Brody 飾）身上神奇的發(fā)生著。他本來(lái)是一個(gè)參與過(guò)海灣戰(zhàn)爭(zhēng)的美國(guó)軍人。意外中彈令他喪失了記憶，成為一個(gè)失憶者。繼而更倒霉的是，他被警方認(rèn)作殺人疑犯拉回審訊。因?yàn)榕卸榫窦膊?，杰克免于坐牢，只是被帶到精神病院，作為某?xiàng)科學(xué)實(shí)驗(yàn)的樣品?！ ♂t(yī)生為杰克穿上了緊身衣物，把他放進(jìn)停尸間。這里黑暗冰冷，只剩下零散的記憶碎片陪伴杰克。碎片中有著他將來(lái)的模樣，有著一個(gè)心愛(ài)的叫杰基（凱拉·奈特利 Keira Knightley飾）的女子，更有著自己快要死去的訊息。在記憶中看到將來(lái)的杰克，在一線希望中尋找著通往生機(jī)的鑰匙。
索命舞娘
麥迪·齊格勒,拉娜·康多,艾瑞絲·阿帕托,阿凡提卡·萬(wàn)達(dá)納普,米利森特·西蒙茲,烏瑪·瑟曼,莉迪亞·倫納德,邁克爾·卡爾金,Kate Freund,克里斯蒂安·恰克瓦里,加博爾·納吉帕爾,Julian Krenn,沙哈布·魯巴達(dá),鮑拉日·邁杰里,貝拉·奧爾薩尼,弗朗西斯·麥克伯尼,亞當(dāng)·邦奇,Miklós Béres,Klára Spilák,Gary Cothenet五個(gè)芭蕾舞者去參加比賽，卻遭遇公車(chē)墜毀，被困在一家偏遠(yuǎn)旅館中，遭遇殺身之禍，必須用自己的舞技逃脫危機(jī)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
抵擋計(jì)劃
Donald Cerrone,凱利·林恩·萊特,Vincent E. McDaniel,布蘭迪·羅德里克,Chris Maher一名被困在公寓里的年輕人，門(mén)外有一群惡魔，他必須找到一種方法度過(guò)夜晚，逃離213號(hào)公寓。
暗黑新娘！
杰西·巴克利,克里斯蒂安·貝爾,彼得·薩斯加德,安妮特·貝寧,杰克·吉倫哈爾,佩內(nèi)洛普·克魯茲,約翰·馬加羅,珍妮·柏林,路易斯·坎瑟米,馬修·馬希爾,朱莉安·浩夫,威廉·希爾,斯蒂芬妮·特洛亞克,馬西爾·摩丹,馬科·查卡,莉迪亞·凱莉,索菲婭·科,本·格林,伊蓮·阿普魯澤西,安東尼·貝里尼孤獨(dú)的科學(xué)怪人弗蘭肯斯坦（克里斯蒂安·貝爾 飾）來(lái)到了1930年代的芝加哥，懇請(qǐng)頂級(jí)科學(xué)家尤弗洛尼斯博士（安妮特·貝寧 飾）為他創(chuàng)造一位伴侶。兩人成功復(fù)活了一名被謀殺的年輕女子，“新娘”（杰西·巴克利 飾）就此誕生。然而事態(tài)發(fā)展卻遠(yuǎn)超兩人想象：謀殺接踵而至，占有欲瘋狂滋生，新娘能否掙脫“被創(chuàng)造”的命運(yùn)？在暗黑混沌的逃亡路上，一場(chǎng)女性覺(jué)醒風(fēng)暴開(kāi)始席卷整個(gè)世界。
退伍軍官
亞尼·卡普爾,莫娜·辛格,拉狄卡·馬丹,Aditya Rawal,沙魯巴·舒克拉,Faisal Malik,Amit Jha,Vikram Pratap,Harsh Purwar,Lata Shukla,Esha Shital曾經(jīng)為國(guó)家而戰(zhàn)的男人，如今必須對(duì)抗來(lái)自內(nèi)部的敵人，才能守護(hù)自己的家園與家人。