即刻觀影
劇情賞析
編輯推薦
豬豬俠·一只老豬的逆襲
陸雙,山新,唐嶷,陳思宇,徐經(jīng)緯,任景行, 周健過(guò)氣頂流也有逆襲夢(mèng)！曾經(jīng)的男神豬豬爆竟淪落到以送外賣(mài)為生？！一次偶然之下，他獲得了擔(dān)任電影男主的機(jī)會(huì)，但這個(gè)劇組并不“簡(jiǎn)單”，為豬豬爆的男主之路埋下重重關(guān)卡。面對(duì)N重考驗(yàn)，他能否逆襲成功？
校園往事
宋欣諾,吳長(zhǎng)浩,陽(yáng)院生,王海卓,陳升衛(wèi)單純善良的女主人公（陳夢(mèng)曦）踏入了渴望已久的美麗高中校園。霸道頑皮的男主人公（陸晨）對(duì)陳夢(mèng)曦一見(jiàn)鐘情，因?yàn)槔钭榆幨顷悏?mèng)曦的同桌，而且他與陳夢(mèng)曦、梁燕形影不離，所以陸晨對(duì)李子軒有意見(jiàn)。陸晨與他朋友們經(jīng)常整蠱欺負(fù)李子軒，一次在操場(chǎng)上陸晨和他朋友一起把李子軒給揍了。善良樂(lè)于助人的陳夢(mèng)曦與梁燕知道后，決定幫助他們化解矛盾，通過(guò)接觸與了解，陸晨與李子軒及陳夢(mèng)曦、梁燕之間的友誼逐漸形成。一天晚上，梁燕去參加朋友的生日晚會(huì)后，被人綁架了，陸晨與陳夢(mèng)曦、李子軒及他的幾個(gè)朋友拿錢(qián)去解救梁燕，他們與劫匪打了起來(lái)，他們?nèi)勘唤俜舜虻?，關(guān)鍵時(shí)刻，班主任帶保安隊(duì)長(zhǎng)來(lái)到，經(jīng)過(guò)一番激烈搏斗，最終保安隊(duì)長(zhǎng)制服了劫匪。
地下角斗士
戴拉·紹,黎唯,黎明Duke and Yan, two long time rivals, are competing in the world’s most dangerous underground fighting tournament, where powerful crimelords can gamble and influence who they fight, the terrain they fight on and what weapons will be used. In this high-stakes bloodsport where one wrong move can mean certain death, they must decide whether to play by the rules or to cast their honor aside and team up against the dark syndicate running the tournament and bring the entire system down.
趣塔德莊園
戴米恩·路易斯,凱瑟琳·沃特斯頓,托馬辛·麥肯齊,本·拉德克利夫,湯姆·費(fèi)爾頓,艾瑪·萊爾德,李·布羅德曼,湯姆·古德曼-希爾,吉米·卡爾,莉莉·奈特,亞當(dāng)·伍德沃德,查理·羅爾斯,盧卡斯·凱利,內(nèi)森·霍爾,亞歷山大·巴特勒,莉茲·霍普利,艾琳·奧斯汀,瑪格達(dá)萊娜·斯維蘭德,杰瑪·瓦德?tīng)?勞瑞·奧格登Fackham Hall 對(duì)傳統(tǒng)的時(shí)期劇如《唐頓莊園》和《高斯福德莊園》進(jìn)行戲謔。這部作品被形容為“延續(xù)了《裸槍》系列和《空前絕后滿(mǎn)天飛》等經(jīng)典笑料不斷的惡搞喜劇的傳統(tǒng)”。 費(fèi)恩斯·提芬將飾演一名新來(lái)的搬運(yùn)工，他與英國(guó)一個(gè)顯赫家族的小女兒（麥肯齊）展開(kāi)了一段出人意料的關(guān)系。同時(shí)，達(dá)文波特家族內(nèi)部矛盾不斷爆發(fā)，由達(dá)文波特勛爵和勛爵夫人（沃特斯頓）領(lǐng)導(dǎo)的家族還要面對(duì)長(zhǎng)女（萊爾德）和她不靠譜的堂弟婚禮慘敗的巨大尷尬。
溫泉鯊
金子清文,藤村拓矢,中西裕胡,內(nèi)藤正記,安原寛之,野二紀(jì)人在S縣暑海市發(fā)生了一起連環(huán)失蹤案件，受害者的遺體竟然都在海中被發(fā)現(xiàn)。為了揭開(kāi)真相，警察署長(zhǎng)與海洋生物學(xué)博士聯(lián)手展開(kāi)調(diào)查，最終他們發(fā)現(xiàn)，遠(yuǎn)古鯊魚(yú)通過(guò)溫泉來(lái)回穿梭，襲擊了無(wú)辜的市民…
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster