野蠻女

★ 3.9 播放：96萬 更新：2026-04-25

不良少年女蠻子（亞紗美 飾）因長(zhǎng)相清秀經(jīng)常受到其他混混的挑釁，由此引發(fā)無數(shù)的暴力事件，導(dǎo)致蠻子不斷被學(xué)校除名。為避免過早淪為社會(huì)青年，蠻子的父親蠻角（デモ田中 飾）要求兒子穿上水手服到女校讀書。 初入女校的蠻子既緊張又興奮，他很快與乖乖女持子（桃瀬えみる 飾）皆為好友。不過，這令并非什么輕松浪漫所在，蠻子很快與校內(nèi)盤踞的不良少女團(tuán)體發(fā)生沖突…… 本片根據(jù)永井豪同名原作改編。?豆瓣

在線播放

劇情簡(jiǎn)介

不良少年女蠻子（亞紗美 飾）因長(zhǎng)相清秀經(jīng)常受到其他混混的挑釁，由此引發(fā)無數(shù)的暴力事件，導(dǎo)致蠻子不斷被學(xué)校除名。為避免過早淪為社會(huì)青年，蠻子的父親蠻角（デモ田中 飾）要求兒子穿上水手服到女校讀書。 初入女校的蠻子既緊張又興奮，他很快與乖乖女持子（桃瀬えみる 飾）皆為好友。不過，這令并非什么輕松浪漫所在，蠻子很快與校內(nèi)盤踞的不良少女團(tuán)體發(fā)生沖突…… 本片根據(jù)永井豪同名原作改編。?豆瓣

導(dǎo)演精選

安妮·霍爾

 喜劇演員艾維·辛格（伍迪·艾倫 Woody Allen 飾）是這樣一個(gè)人：非常介意自己的猶太人的出身；自認(rèn)為有童年陰影，看了十六年心理醫(yī)生沒見好轉(zhuǎn)卻一直付錢看；有點(diǎn)阿Q精神，但對(duì)人生卻充滿消極；喜歡一直講無聊的笑話。正因?yàn)樽陨淼纳窠?jīng)質(zhì)特質(zhì)，艾維經(jīng)歷了兩次失敗的婚姻。艾維 遇到了安妮（黛安·基頓 Diane Keaton 飾）――一直夢(mèng)想成為歌星的女孩，兩人漸漸墮入愛河。安妮在艾維的幫助下歌唱技巧迅速提高，但她的父母卻反對(duì)她與艾維來往。安妮得到了唱片商托尼的注意，獲邀前往好萊塢灌錄唱片，艾維跟著前往了好萊塢向安妮求婚。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

走心男

影片翻拍自阿根廷電影《膝下無子》，講述了高中時(shí)期遇見初戀的男人無意間將家庭史變成秘密而展開的一系列風(fēng)波浪漫喜劇故事。