即刻觀影
劇情賞析
編輯推薦
越戰(zhàn)黑金剛
萊伯·布朗,凱瑟琳·希克蘭,克勞迪奧·弗拉加索,盧西亞諾·皮格齊越戰(zhàn)期間（實(shí)際應(yīng)該是入侵巴拿馬）美軍秘密研制的機(jī)器人代號黑金剛突然暴走。一隊(duì)雇傭軍潛入?yún)擦诌M(jìn)行搜索。大部分被干掉。最后隊(duì)長與黑金剛決一死戰(zhàn)時(shí)發(fā)現(xiàn)黑金剛其實(shí)是自己昔日戰(zhàn)友改造而成。黑金剛在最后關(guān)頭回心轉(zhuǎn)意，啟動自我毀滅。。。。
興登堡遇難記
喬治·C·斯科特,安妮·班克羅夫特,威廉·阿瑟東羅伯特.懷斯執(zhí)導(dǎo)的該部災(zāi)難片根據(jù)真實(shí)事件改編而成。故事講述一九三九年，一艘滿載各式人等飛往紐約的德國造興登堡飛船，在抵達(dá)紐約上空時(shí)發(fā)生爆炸，造成了歷史上的大悲劇。
神來電
尼古洛·格維尼阿什維利,尼卡·貢加澤年輕的貢嘎和他的表弟巴特在一個(gè)廢品場里意外發(fā)現(xiàn)了一個(gè)裝滿生銹十字架的手提箱。巴特靈機(jī)一動，決定將這些十字架改造成霓虹十字架，并逐戶向第比利斯的居民推銷。他們在城市郊區(qū)的漫游因此變成了一場尋找愛情與友情的冒險(xiǎn)。
三級警戒
雷恩·威爾森,里爾·萊爾·哈瓦瑞,艾米·卡里諾,羅伯·里格爾,伊薇特·尼科爾·布朗,佩吉·肯尼迪,索洛·馬里多納,崔·歐圖爾,特蕾莎·麥克勞林,安迪·米爾德,阿耶莎·哈里斯,皮特·霍登,達(dá)莉婭·羅尼,邁克爾·J·希拉夫,卡梅隆·富勒,埃里克·蔣曼,梅麗莎·喬·拜莉,盧卡·瓊斯,特雷莎·加里,茜耶拉·斯沃茨影片講述了一位24小時(shí)輪班、忙碌、勞累過度、幾乎精疲力竭的急救員的故事。Randy是一名急救員，他因工作過度疲憊，甚至想辭職。在他最后一天的工作中，他的主管Shanice安排了一位學(xué)生Jessica陪他一起上崗。Randy的急救搭檔Mike也加入了他的行列。Randy的最后一天充滿了冒險(xiǎn)——但對他和Mike來說，這只是辦公室里普通的一天。
像這樣的夜晚
亞歷山大·林肯,杰克·布雷特·安德森,大衛(wèi)·布拉德利,Jimmy Ericson,貝絲·里朗斯,凱恩·薩里,Eloise,Sam Jochim,Rizwan Khan,Harriet Olivia-Wilson一位身無分文的同志演員和一位因生意失敗而陷入困境的高層人物在一個(gè)冬夜相遇，并聯(lián)手在倫敦各地尋找他們悲慘生活的意義，但當(dāng)他們看似不可能的聯(lián)系變成了更深層次的東西時(shí)，來自過去的恐懼和心魔開始危及他們的生活。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster