彩虹線

在你的愛情里

我的珍寶

　　帕特里克（讓·雷諾 Jean Reno 飾）是一名藝術(shù)品大盜，在偷竊珍貴的小提琴斯特拉迪瓦里的時(shí)候，帕特里克遭到了同伴羅曼（）的陷害，不僅顆粒無收還險(xiǎn)些喪命。帕特里開隱居了起來，發(fā)誓要從羅曼的身上奪回屬于自己的東西?！　∨撂乩锟嗽O(shè)計(jì)將自己的兩個(gè)女兒卡羅爾（法米克·詹森 Famke Janssen 飾）和卡洛琳（麗姆·柯里奇 Reem Kherici 飾）召回到了自己的身邊，身為一名父親，他缺失了兩個(gè)女孩的童年，如今，帕特里克希望能有補(bǔ)救他們父女關(guān)系的機(jī)會(huì)。剛開始，兩個(gè)姑娘對(duì)帕特里克特殊的職業(yè)和訴求嗤之以鼻，但隨著時(shí)間的推移，婦女三人之間的感情漸漸回溫。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

時(shí)間里的愛人

　　前途無量的女主廚Almut（弗洛倫絲·皮尤 Florence Pugh 飾），遇上失婚男子Tobias（安德魯·加菲爾德 Andrew Garfield 飾），一次邂逅，改變了余生。就在兩人相愛成家之后，一個(gè)突如其來的真相，也將撼動(dòng)他們幸福的生活……