情色故事
四位巴西新浪潮導(dǎo)演聯(lián)合創(chuàng)作的一部短片集錦。其實不算很;情色;，倒是故事都很值得回味。
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鬼悚歷險3D
阿瑪雅·薩拉曼卡,馬克西·伊格萊西亞斯,Lucho Fernandez心理學(xué)專業(yè)學(xué)生安吉拉（Amaia Salamanca 飾）分外擔(dān)心她的期末學(xué)分，在教授的建議下，這個一向不相信超自然的女孩決定去探訪一座早已廢棄的礦區(qū)小鎮(zhèn)Susurro，那里曾經(jīng)有一個嗜血如命的馬特加醫(yī)生，傳說他的惡靈至今還在小鎮(zhèn)上游蕩，殘害偶然闖入的人們。為了證明馬特加醫(yī)生的傳說子虛烏有，也為了順利通過考試，安吉拉和她具有較強(qiáng)第六感的妹妹戴安娜（Alba Ribas 飾）以及同學(xué)喬西（Maxi Iglesias 飾）、托尼（óscar Sinela 飾）、貝蘭（úrsula Corberó 飾）、卡羅斯（Lucho Fernández 飾）驅(qū)車前往那個荒涼陰森的邊遠(yuǎn)小鎮(zhèn)?！ 〗柚軆x器和戴安娜的配合，他們似乎真的將馬特加醫(yī)生喚回了人間，而死神也一步步向他們靠近……
羅生門
三船敏郎,京町子,森雅之,志村喬,千秋實,上田吉二郎,本間文子,加?xùn)|大介羅生門，日本京都的正南門。云游和尚、砍柴人和乞丐在城門底下避雨，三人閑聊，話題開始，故事的序幕拉開：一個武士和他妻子路過荒山，遭遇了不測。妻子被侮辱，而武士慘遭殺害。慘案如何釀成？兇手、妻子、借武士亡魂來做證的女巫，都各有說法。真相只得一個，但是各人提供證詞的目的卻各有不同。為了美化自己的道德，減輕自己的罪惡，掩飾自己的過失，人人都開始敘述一個美化自己的故事版本?；纳缴系膽K案，成了一團(tuán)撥不開看不清的迷霧。談?wù)撏戤?，雨過天晴?？巢袢嗽诹_生門旁發(fā)現(xiàn)一個哭泣的棄嬰。他決定收養(yǎng)下來，抱著嬰孩往夕陽深處走去。
嘎啦
瑪菲司,儲榢逸,李恩佑,徐灝翔直播主瑪菲司一家抵達(dá)即將開幕的度假村舉辦活動，然而他們從未料到，迎接他們的竟是恐怖的降臨。為了揭開真相，阿序和好友天仁召集了一群網(wǎng)友，再次前往度假村探險，并希望通過這次探險在網(wǎng)絡(luò)上獲取流量。殊不知，他們即將卷入一場自1960年延續(xù)至今、從未停止過的邪惡祭典。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
炫舞我人生
董維恩,陳樂添,杜梵,李純洱幾個年輕時懷揣街舞夢想的青年，多年后經(jīng)歷了人去人走、世故變遷，懷著對朋友的懷念，懷著對未來的憧憬，又重拾了自己年輕時的夢想，用舞蹈詮釋了人生態(tài)度……
綁架2007
林嘉欣,劉若英,張智霖,郭濤,張兆輝,官恩娜,趙會南3年前，話劇老師林曉陽（林嘉欣飾）的弟弟被綁架，案件交由高級督察何宛真（劉若英飾）及智叔（張兆輝飾）負(fù)責(zé)，可是在追捕的過程中，疑犯因爭吵墜樓身亡，林曉陽就此埋下了怨恨?！ ∪旰螅謺躁柣疾〉恼煞颍ㄚw會南飾）病情加重，需要一千萬才能有治好的希望，林曉陽動了綁架富豪王森（郭 濤飾）兒子的念頭。多日來林曉陽跟她從尼泊爾認(rèn)識的同伙跟蹤小孩動向，后來決定在一個傍晚下手。剛好案子也是有何宛真接手，就讓林曉陽有了報復(fù)的心理，何宛真為了救回孩子只好服從，可她萬萬沒有想到，原來王森的兒子，跟自己的兒子調(diào)換了衣服穿，被林曉陽綁架的正是何宛真的兒子。 兩個女人，都為著心愛的親人在綁架案中斗志斗勇，展開激烈的較量。