愛情插班生
School's暫無內(nèi)容out...But暫無內(nèi)容Bobby's暫無內(nèi)容education暫無內(nèi)容has暫無內(nèi)容just暫無內(nèi)容begun.暫無內(nèi)容Bobby暫無內(nèi)容has暫無內(nèi)容had暫無內(nèi)容trouble暫無內(nèi)容with暫無內(nèi)容French暫無內(nèi)容at暫無內(nèi)容school暫無內(nèi)容and暫無內(nèi)容so暫無內(nèi)容his暫無內(nèi)容rich暫無內(nèi)容parents暫無內(nèi)容hire暫無內(nèi)容a暫無內(nèi)容winsome暫無內(nèi)容30-year-old暫無內(nèi)容tutor暫無內(nèi)容to暫無內(nèi)容help暫無內(nèi)容him暫無內(nèi)容with暫無內(nèi)容the暫無內(nèi)容first暫無內(nèi)容subject.暫無內(nèi)容The暫無內(nèi)容father暫無內(nèi)容is暫無內(nèi)容not暫無內(nèi)容exactly暫無內(nèi)容subtle暫無內(nèi)容about暫無內(nèi)容his暫無內(nèi)容interest暫無內(nèi)容in暫無內(nèi)容the暫無內(nèi)容tutor,暫無內(nèi)容but暫無內(nèi)容the暫無內(nèi)容woman暫無內(nèi)容prefers暫無內(nèi)容his暫無內(nèi)容much暫無內(nèi)容more暫無內(nèi)容sensitive暫無內(nèi)容son.
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美滿姻緣
瓊·艾倫,安東尼·拉帕格利亞,克里斯汀·康奈利,史蒂芬·朗,Theo Stockman,Brady Bryson,提莫斯·J·考克斯,Jason Testa,Gregg Micheals,Pun Bandhu,Brian Patrick Murphy,羅伊·哈特拉姆,Kris Lundberg,Stephen Sapienza,Will Rogers與丈夫（安東尼·拉帕格利亞飾）慶祝完結(jié)婚25周年后不久，丈夫出差在外，達(dá)西（瓊·艾倫）在車庫找電池，卻無意中發(fā)現(xiàn)丈夫就是新聞中說的“臭名昭著的連環(huán)殺手比蒂”。 影片的小說藍(lán)本是金2010年出版的短篇小說集《暗夜無星》（Full Dark, No Stars）中的一篇。金在接受采訪時說，小說的靈感來自于2005年被捕的美國“BTK連環(huán)殺手”丹尼斯·雷德（Dennis Rader），他就有一位結(jié)婚三十四年的妻子寶拉（Paula），對他的殺人行為毫不知情。金表示，小說探討的是，人與人之間永遠(yuǎn)不可能完全了解，即使是最愛的人也一樣。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
人皮燈籠
梁家輝,邱淑貞,黃光亮,張耀揚,苑瓊丹,黃斌,林迪安,樂韻1963年，一伙黑幫分子在老大的指使下將一對情人殘忍殺害，男子被埋在“十世受苦，不得超生”的陰穴處；而女子被扒皮，皮罩在燈籠上，永世不得超生?！ ?993年，蠱惑仔阿輝（梁家輝 飾）終日倒霉透頂，而且身邊連連發(fā)生奇怪靈異世間。阿輝在古董攤買下一古董表，卻被一股力量莫名牽引到一棟廢宅里，半夢半醒間見自己與一個叫小芙蓉的藝旦（邱淑貞 飾）親熱的場面?！ ≥x在醫(yī)院被一鬼魂提醒只有四婆能夠解救自己，于是他前往找四婆。四婆為他問米，他從盆中之水漸漸看到了自己的前世悲慘遭遇……
阿特拉斯聳聳肩
泰勒·席林,保羅·約翰遜,格蘭特·鮑爾,賈蘇·加西亞,馬修·馬斯登,Rebecca Wisocky在一個家族傳承的塔格特鐵路公司，現(xiàn)任總裁為家族長子詹姆斯·塔格特，副總裁是達(dá)格妮·塔格特，兄妹倆為挽救公司岌岌可危的營運，想法與方法可說是南轅北轍，一位只是口頭囔囔一些沒有經(jīng)過詳細(xì)評估的墨西哥——圣賽巴斯蒂安支線的投資，卻沒有提出一絲一毫的規(guī)劃與執(zhí)行方案，常常以見不得別人成功的酸葡萄心態(tài)看待事情與詆毀他人；另一位是以“我是像一個餓瘋了一樣，去找任何一個能把事情做好的人！”為挽救塔格特鐵路公司，與愛迪·威勒斯孜孜矻矻、焚膏繼晷的努力工作，為順利完成里約諾特的鐵路支線，找上里爾登鋼鐵的漢克·里爾登合作，采用里爾登剛發(fā)明的新合金當(dāng)鐵軌，沒想到成功營造出里約諾特的鐵路支線，卻是另一個不幸的開端?！ ∧缓笾谱鳌 栋⑻乩孤柭柤纭肥巧鲜兰o(jì)美國著名哲學(xué)家、小說家安·蘭德的代表巨著，這位俄裔美籍小說家推崇理性，認(rèn)為人的最高美德便是理性。她不顧傳統(tǒng)輿論的偏見，力倡個人主義，認(rèn)為不能使個人利益得到最大伸張的社會，就不是理想社會。她的客觀主義哲學(xué)自上世紀(jì)50年代起便風(fēng)靡美國校園，影響了幾代美國人，她本人也成為美國青年崇拜的偶像?！ 栋⑻乩孤柭柤纭肥撬钪囊槐拘≌f，曾在美國社會產(chǎn)生巨大影響。書中宣揚金錢至上的思想，探討了理性利己主義的道德性。1957年剛剛出版曾遭遇社會惡評，但卻異常暢銷，在美國的銷售量僅次于《圣經(jīng)》，并影響了當(dāng)時社會的很多知識分子，甚至成為美國學(xué)生必讀的課外書籍。
四人新世界
董驃,呂方,黃韻詩,吳雪雯,秦沛,吳啟華,邵國華飛叔移民到加拿大與兒子哈哈一起生活。在飛機上認(rèn)識了一位來自大陸的黃艷秋，并有意撮合艷秋和哈哈，飛叔與艷秋的姨媽是一對歡喜冤家，艷秋和一個富家花花公子一起，哈哈很沮喪，飛叔鼓勵兒子向艷秋表白。哈哈買下一塊地，想轉(zhuǎn)頭賺錢，但買家臨時改變主意，令哈哈欠下一筆錢，飛叔、姨媽、哈哈、艷秋開始了四人新世界……
超暴力機斗
Ben Naasz,Teddy Ca?ez,Jennifer Sydney主要講述了未來世界人與機械武器之間的愛恨情仇。