劇情簡介
成人片行業(yè)里的一個(gè)女孩帶著一只寶石龜去旅行，并制作了Billie暫無內(nèi)容Holliday暫無內(nèi)容videos。雖然在生活里她和一些朋友有過關(guān)系，但她仍在尋找愛情。她開始接到一個(gè)陌生人的電話，他告訴她不要擔(dān)心，他會(huì)照顧她的。但當(dāng)她想見他時(shí)，他沒有出現(xiàn)……
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慳錢家族
楊千嬅,陳奕迅,鄭裕玲,曾志偉,黎耀祥,何超儀典型都市女性Diana（鄭裕玲 飾）有著驕人的事業(yè)成績，也積極經(jīng)營著自己的愛情?？墒窍愀劢?jīng)濟(jì)不景氣，她與同公司的小職員韋大漢（曾志偉 飾）都在了裁員的名單上。韋大漢早年妻子因?yàn)楹觅€離家出走，丟下了女兒千華（楊千嬅 飾）及小兒子萬華需要供養(yǎng)。他向兒女隱瞞自己已經(jīng)被解雇的事實(shí)，可是Diana的出現(xiàn)讓千華及弟弟都知道了爸爸的真實(shí)情況。原來Diana的出現(xiàn)是想跟他們參加一個(gè)家庭制的游戲，只有勝出游戲，電視臺(tái)便會(huì)原價(jià)收購他們的負(fù)資產(chǎn)業(yè)。Diana是一個(gè)自私冷酷的人，在游戲的過程中，被大漢付出在兒女身上的感情而改變了她。千華也在游戲中與導(dǎo)演（陳奕迅 飾）產(chǎn)生了感情。游戲最終由他們勝出，可是千華親生母親的出現(xiàn)使局面徹底改變了……
猩球崛起3：終極之戰(zhàn)
安迪·瑟金斯,伍迪·哈里森,斯蒂夫·扎恩,卡琳·考諾娃,阿米爾·米勒,泰瑞·諾塔里,泰·奧爾森,邁克爾·亞當(dāng)思韋特,托比·凱貝爾,加布里埃爾·查瓦里亞,朱迪·格雷爾,莎拉·坎寧,德文·達(dá)爾頓,阿萊克斯·潘諾維奇,亞歷桑德羅·朱利安尼,馬克斯·洛伊德-瓊斯,蒂莫西·韋伯凱撒（安迪·瑟金斯 飾）領(lǐng)導(dǎo)的猿族將被迫與殘暴的Colonel（伍迪·哈里森 飾）領(lǐng)導(dǎo)的人類軍隊(duì)上演一場生死大戰(zhàn)。猿族在戰(zhàn)斗中遭遇了前所未有的重創(chuàng)，由此激發(fā)了凱撒內(nèi)心中黑暗的一面，心中燃起復(fù)仇的烈火。最終，凱撒與Colonel面對面進(jìn)行了一場關(guān)乎猿族和人類命運(yùn)的終極之戰(zhàn)。
博格曼
揚(yáng)·貝弗特,哈德維奇·米尼斯,杰羅恩·佩瑟瓦爾,亞歷斯·馮·華麥丹,湯姆·德威斯布萊爾,莎拉·約爾特·蒂特萊芙瑟,安妮特·馬爾赫畢Camiel Borgman突然出現(xiàn)在某個(gè)富有的郊區(qū)，敲響了一戶小康之家的大門。他是誰？他代表夢想、魔鬼、諷喻，還是代表了我們的恐懼？
異形怪胎
布魯克·亞當(dāng)斯,詹姆斯·凱倫,麗莎·庫卓,凱西·格里芬,Jeff Hayenga薇吉妮亞(布魯克亞當(dāng)斯)與老公(杰夫海恩嘉)為了想生個(gè)孩子，用盡了一切辦法，在求教過一位專門治療不孕癥的專家(詹姆斯凱倫)后，最后終于如愿以償?shù)爻晒κ茉小?原本滿心期待當(dāng)媽媽的薇吉妮亞，卻發(fā)現(xiàn)自己的身體起了不該發(fā)生的詭異變化，當(dāng)夫妻倆發(fā)現(xiàn)這個(gè)尚未出生的孩子竟是項(xiàng)瘋狂實(shí)驗(yàn)的成果時(shí)，卻為時(shí)已晚，薇吉妮亞腹中的「胎兒」已成了兩人無法擺脫的惡夢…
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
創(chuàng)圣大天使：一發(fā)逆轉(zhuǎn)篇
寺島拓篤,嘉數(shù)由美,小林沙苗,森川智之,石冢運(yùn)升,玉川紗己子,飛田展男,小野坂昌也,阪口大助,日笠山亞美,青森伸,矢尾一樹,兵藤真子,杉田智和,齋賀光希,樸璐美,風(fēng)間勇刀,佐藤裕美,四宮豪,仁科洋平,足立友,我妻正崇時(shí)長半小時(shí)的短片。故事是發(fā)生在TV版中途的番外篇，突出兩位女主角的位置，并附帶“歌姬”設(shè)定……主題曲延用TV版前半部的OP（但收錄進(jìn)劇場版時(shí)被取消）。
雨和閃電的氣息
麥卡·夢露,瑪姬·格蕾斯,布拉德·卡特改編自著名推理作家南希．皮卡德於《紐約時(shí)報(bào)》的暢銷同名小說 過往的父母雙屍命案,因?yàn)闅⑷藘词殖霆z而再度成為喬蒂的噩夢,她被迫再次審視那道往日的傷痕,並且身不由己地反覆被仇恨啃噬…而家族秘辛也隨著時(shí)間過去,重新露出面目,要讓所有人都付出代價(jià)…。