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劇情提要
該片講述了政玟,一個(gè)編劇,愛上了在一次出差路過的小客棧遇到的尤美,他一直不明白他們是在夢(mèng)里還是現(xiàn)實(shí)發(fā)生的性關(guān)系的故事。
暗夜精選
跟我○○○就能紅
青山泰菜,竹田光稀,円谷優(yōu)希,十代修介,富樫未來,佐藤仁,森岡里世,大地洋輔,八木將康,川瀨陽太嘔吐戈?duì)?:慢性折磨嘔吐室
心靈與智慧
德懷特·戴維·艾森豪威爾,William Marshall,喬治·皮杜爾詩人2025
烏貝馬爾·里奧斯,蕾韋卡·安德拉德,吉列爾莫·卡多納,阿利森·科雷亞,翁貝托·雷斯特雷波,瑪格麗塔·索托精靈寶可夢(mèng):幻影的霸者索羅亞克
松本梨香,大谷育江,上田祐司,豐口惠美,小櫻悅子,加藤夏希,塚本高史,林原惠美,中川翔子,山寺宏一,樸璐美,間宮胡桃玩偶屋
羅伯塔·科林斯,帕姆·格里爾,Judith Brown,Brooke Mills,Pat Woodell誠聘保姆
薩拉·湯普森,馬特·達(dá)拉斯,布魯斯·托馬斯,比爾·莫斯利,Monty Bane同系列推薦
奇跡男孩
雅各布·特倫布萊,朱莉婭·羅伯茨,伊扎貝拉·維多維奇,歐文·威爾遜,諾亞·尤佩,丹妮爾·羅絲·拉塞爾,納吉·杰特,戴維德·迪格斯,曼迪·帕廷金,布萊斯·吉扎爾,艾爾·麥金農(nóng),泰·孔西利奧,詹姆斯·休斯,凱爾·布瑞特科夫,米莉·戴維斯,莉婭·朱厄特,凱琳·布瑞特科夫,利亞姆·迪金森,艾瑪·特倫布萊,馬克·多茲勞,魯奇婭·伯納德,J·道格拉斯·斯圖瓦特,阿里·利伯特,埃麗卡·麥基特里克,本·伊曼紐爾,杰森·麥金農(nóng),索尼婭·布拉加,吉潔特特蕾莎修女
勞米·拉佩斯,西爾維婭·侯克斯,尼古拉·里斯坦諾夫斯基,Ekin Corapci,Marijke Pinoy,拉賓娜·米特威斯卡汪星人訓(xùn)練營
亞歷山德拉·瑪麗亞·拉娜,大衛(wèi)·史崔梭德,安娜·赫爾曼,多加居·雷爾,魯里克·吉斯拉松,Kerim Waller獵夢(mèng)人
陳孝良,米咪四川好女人
何葦杭,趙若冰藍(lán)絲絨
伊莎貝拉·羅西里尼,凱爾·麥克拉克丹尼斯·霍珀,勞拉·鄧恩,霍普·蘭格幕后花絮
致命錄像帶
蓋里(Calvin Reeder 飾)、扎克(Lane Hughes 飾)等人是一伙無惡不作的不法之徒,某天他們接到委托,要闖入某戶人家偷取一盒神秘的錄像帶。空空蕩蕩的大房子里,只有一個(gè)死去的老人坐在電視機(jī)前。他們無所顧忌,播放了那盤錄像帶:第一段視頻中,一群年輕人帶著針頭攝像頭去夜店狂歡把妹,卻遭遇一名奪命妖妹;一對(duì)旅行中的情侶入住Motel,期間他們偶遇一名請(qǐng)求搭車的女子,夜晚更有人潛入他們的房間,厄運(yùn)降臨;兩男兩女驅(qū)車去林區(qū)度假,卻遭遇兇殘的殺手;一對(duì)網(wǎng)絡(luò)情侶通過視頻聊天,女子聲稱經(jīng)常在家中聽到奇怪的聲響。鏡頭前,一幕幕恐怖畫面接連上演。萬圣節(jié),幾名男子以外遭遇了神秘而殘酷的儀式,他們介入其中,自己的命運(yùn)也發(fā)生改變?! ′浵駧ЫY(jié)束,恐怖故事卻剛剛來開序幕……
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster