德川女刑罰史
日本Cult名導(dǎo)石井輝男上世紀(jì)60年代經(jīng)典作品?！∮捌ㄟ^(guò)三段故事展現(xiàn)了17世紀(jì)日本德川幕府時(shí)代的殘酷風(fēng)情畫(huà)第一段：少女和病重的哥哥相依為命，還時(shí)常受到別人的欺負(fù)。后來(lái)兄妹倆發(fā)生亂論，心懷愧疚的哥哥戳頸自殺，女孩則因亂論罪名受到幕府的嚴(yán)懲 第二段：新來(lái)的尼姑庵主持發(fā)現(xiàn)小尼姑和和尚的私情，嫉妒和憤恨讓她將小尼姑活活折磨致死，主持與其幫兇同樣沒(méi)有逃脫幕府酷刑的懲罰 第三段：類似《地獄變》和《禁室培育》的綜合體。江戶名雕長(zhǎng)（小池朝雄 飾）最新作品;地獄變 受到酷吏南原（渡邊文雄 飾）的嘲笑，為了奪回榮譽(yù)，他請(qǐng)求觀摩南原拷打女囚的場(chǎng)面，最終他完成了生命中最輝煌的作品
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聯(lián)合艦隊(duì)司令長(zhǎng)官：山本五十六
三船敏郎,加山雄三,司葉子,稻葉義男,土屋嘉男,平田昭彥1940年9月，德、意、日三國(guó)成立同盟。山本五十六被任命為日本聯(lián)合艦隊(duì)總司令，并不得不“違背自己的意愿”，接受命令對(duì)美、英、荷等國(guó)開(kāi)戰(zhàn)。1941后12月8日零時(shí)，山本五十六親自下達(dá)了“1280”密碼命令，并親自率領(lǐng)部隊(duì)偷襲美國(guó)珍珠港，從而對(duì)美軍太平洋艦隊(duì)造成重創(chuàng)，大勝而歸。隨后山本五十六建議與美國(guó)講和，但意見(jiàn)未被采納。在指揮中途島戰(zhàn)役時(shí)，由于戰(zhàn)略上的重大失誤，日本海軍遭受慘重?fù)p失。形勢(shì)陡然逆轉(zhuǎn)，美軍攻勢(shì)如虹，日軍兵敗如山倒。瓜達(dá)康納島上有三萬(wàn)多名日本陸軍，他們?cè)獾搅嗣儡婏w機(jī)的晝夜轟炸，陷于絕境。山本五十六派出艦隊(duì)炮擊美軍基地，協(xié)助尚存的陸軍安全撤退。1943年4月18日，山本五十六為了鼓動(dòng)前線部隊(duì)的士氣，乘坐一架轟炸機(jī)到前線視察。沒(méi)想到日軍的密碼被美軍竊取，美軍派出空軍機(jī)隊(duì)將山本五十六的座機(jī)擊落，一代軍人山本五十六就此碎尸于太平洋上空。
安·李的遺囑
阿曼達(dá)·塞弗里德,托馬辛·麥肯齊,劉易斯·普爾曼,克里斯托弗·阿波特,蒂姆·布雷克·尼爾森,馬修·比爾德,斯塔西·馬汀,維奧拉·佩雷特約翰,斯科特·漢迪,斯科特·亞歷山大·楊,杰米·博吉奧,米麗-蘿絲·克若斯莉,大衛(wèi)·卡勒這部電影設(shè)定在18世紀(jì)的英格蘭，并“靈感來(lái)源”于真實(shí)事件，是一部關(guān)于宗教領(lǐng)袖安·李（Ann Lee）的“史詩(shī)寓言”，安·李是謝克教運(yùn)動(dòng)的創(chuàng)始人，且被她的追隨者宣稱為“女性基督”。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
千萬(wàn)不要跟著我
Karla Coronado,揚(yáng)克爾·史蒂文,Julia Maqueo卡拉夢(mèng)為了成為知名的網(wǎng)紅，決定在自己的公寓里偽造一場(chǎng)鬧鬼事件。然而令她沒(méi)想到是，她的行為意外招來(lái)了不懷好意的東西。
空氣之魂，云之精靈
Michael Lake,Melissa Davis,Norman Boyd,Rhys Davis非常棒的超現(xiàn)實(shí)科幻片,與
外星精神病
Steve Baran,Jackson Berlin,Lee TomaschefskiRyan O'Neil是一位在戰(zhàn)斗中受傷后患有PTSD的退伍軍人，他懷孕的妻子斯蒂芬妮回到家中。她的哥哥托尼是一個(gè)腐敗的警察，她的丈夫一直在為這個(gè)國(guó)家服務(wù)，她一直在幫她。瑞恩和托尼從來(lái)都不喜歡對(duì)方，而托尼試圖干涉他們的婚姻，事情變得激烈起來(lái)。但是，當(dāng)瑞恩在夜晚開(kāi)始在他的房子里閃現(xiàn)出殺手，外星人和其他奇怪生物的閃光和幻影時(shí)，他不確定這是真的還是只在他腦海中。斯蒂芬妮已經(jīng)和瑞恩在一起，對(duì)丈夫的行為深表?yè)?dān)憂。隨著歲月的流逝，瑞恩很快就會(huì)發(fā)現(xiàn)他的噩夢(mèng)在他身上縈繞著什么邪惡的存在。