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劇情提要
本是殺人的逃犯曾長(zhǎng)福,重獲自由之身.不想,適才呼吸到新鮮空氣,卻被尾隨后的李國柱一路追殺,原來是李買通關(guān)節(jié),故意從牢里放出曾來,幸曾手腳利落,才得幸幸逃脫.曾從山路下來,躲進(jìn)一富家別墅,而此別墅只有一對(duì)新婚夫婦居住,就在這天,念祖和佩雯夫婦經(jīng)昨夜大宴賓客,代念上班去了,留下佩獨(dú)守空閨……
暗夜精選
殺出銀河系
Edward Albert月影殺痕
波伊德·霍布魯克,克利歐佩特拉·科爾曼,博基姆·伍德拜因,邁克爾·C·豪爾,魯?shù)稀み_(dá)馬林加姆,Al Maini,Quincy Kirkwood,莎拉·杜格代爾,瑞秋·凱勒,Ryan Allen,托尼·納波,Philippa Domville,托尼·克雷格,加布里埃爾·格雷厄姆,Julia Knope,默里·弗羅,大衛(wèi)·麥金尼斯,德爾菲娜·魯塞爾,胡安·卡洛斯·韋利斯,泰德·麥克馬洪,愛德華·倫德爾,妮卡·埃利奧特勿擾警告
歐文·馬肯,安娜·斯科萊姆,Tereza Srbova,Anthony Jabre瘟疫
喬爾·埃哲頓,埃利奧特·赫弗南,埃弗雷特·布倫克,凱奧·馬丁,肯尼·羅斯牧森,盧卡斯·阿德勒,科爾頓·李,Kolton Lee人面獸心2024
基特·哈靈頓,阿什莉·卡明斯,詹姆斯·科茲莫,凱奧林·斯普林加爾,亞當(dāng)·巴茲爾秒速5厘米真人版
松村北斗,高畑充希,森七菜,青木柚,上田悠斗,白山乃愛,木龍麻生,宮崎葵,吉岡秀隆,岡部敬史,中田青渚,田村健太郎,戶塚純貴,蓮見翔,又吉直樹,堀內(nèi)敬子,佐藤緋美,白本彩奈頂級(jí)陰謀
Anders W. Berthelsen,Maria Bonnevie,Ghita N?rby,Henning Jensen,Lars Mikkelsen同系列推薦
尋磚
張亮,鄂靖文,劉俊孝,鄭強(qiáng),趙毅,李寶安,紅花,傅花道,耿一正,周培巖正義聯(lián)盟:無限地球危機(jī)(上)
馬特·波莫,詹森·阿克斯,達(dá)倫·克里斯,梅格·唐納利,斯坦娜·卡蒂克,吉米·辛普森,扎克瑞·昆圖,喬納森·亞當(dāng)斯,艾克·阿瑪?shù)?吉奧弗瑞·阿倫德,扎克·卡利森,亞歷山德拉·達(dá)達(dá)里奧,阿拉斯泰爾·鄧肯,艾托·艾桑多,Cynthia Hamidi,阿爾迪斯·霍吉,石井恵梨香,大衛(wèi)·卡耶,阿什莉·拉特羅普,馬特·蘭特爾空中輪胎
長(zhǎng)瀨智也,藤岡靛,高橋一生,深田恭子,岸部一德,笹野高史,寺脅康文,小池榮子,阿部顯嵐,中村蒼,室毅,柄本明,佐佐木藏之介,升毅,谷村美月最偉大的時(shí)光
艾斯林·貝亞,馬修·麥克諾提,愛麗絲·洛維,伊莎貝爾·貝爾納多,埃瑪·阿莫斯,羅拉·麥克唐納,齊吉·希思,馬克·伍頓,阿爾弗雷多·塔瓦雷斯,Jayde Adams,安馬卡·奧卡福,Barry O'Connor,Emmet Byrne,Matthew Koon,Manolia Nannou選擇之她·他
王馨婕,陳驍,馬浚揚(yáng),林未,梁瀟雁,陳庭尉,劉海燕極度失眠
Maria Mathiesen,斯特蘭·斯卡斯加德,斯威爾·安克·奧斯達(dá),Gisken Armand,克里斯蒂安·菲根斯科幕后花絮
不離不棄2026
電影主要講述了睿智沉穩(wěn)的徐文軒、外表文靜秀美但性格反叛火爆的白若雪,與偽君子海石在游戲世界相遇相識(shí)后,在現(xiàn)實(shí)世界里產(chǎn)生糾葛的愛情故事。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster