性愛禁區(qū)
Bramadero 兩名沒有名字的男子在一座廢棄的大樓中相遇。他們相識(shí)？他們從未謀面？我們不知道，只感覺到黑發(fā)男子的心靈像一頭困獸一般地掙扎著。另一名男子臉上帶著隱忍的表情。; 入夜他們還是擁抱在了一起，但結(jié)果又會(huì)怎樣呢？ 導(dǎo)演以死亡為意向，表現(xiàn)了同性戀者之間情欲的訴求與禁忌。
即刻觀影
劇情賞析
編輯推薦
歲歲平安
劉威葳,段奧娟,蔡沅江,趙虎,楊陽(yáng),張?zhí)?/span>暴雨將至，轟隆隆的聲音夾雜著人群的呼喊聲砸向操場(chǎng)，正在參加小學(xué)田徑比賽的唐平安重重的摔倒在地面，當(dāng)母親李枚趕到醫(yī)院時(shí)，醫(yī)生卻給了再生一個(gè)孩子做骨髓移植的建議，李枚怔怔的站在深不見底的樓道，像是對(duì)她過(guò)去十幾年最好的懲罰，故事從這里開始。十幾年前，李枚在計(jì)劃生育政策下為了生二胎，不得不將襁褓中的女兒歲歲遠(yuǎn)送他鄉(xiāng)親戚，不料幾年后，漸漸成熟的歲歲卻成了猥瑣養(yǎng)父趁女兒洗澡時(shí)偷偷窺視的對(duì)象，看上去多余的歲歲在一次爭(zhēng)吵后離家出走，流浪的女孩卻遇到了新的“父親”劉建凱，一個(gè)住在船上打漁為生的男人，以父女相稱，看起來(lái)生活就這么好起來(lái)了。幾年后，突然一個(gè)陌生的女人闖入歲歲的生活，自稱姑媽。其實(shí)是李枚兒子平安突發(fā)白血病以后，他們想起了被自己拋棄的女兒，通過(guò)當(dāng)年的一絲聯(lián)系，輾轉(zhuǎn)找到了女兒歲歲，這是這個(gè)家庭唯一的希望。只是女兒歲歲似乎早已經(jīng)知道了真相，他們互為朋友，互相試探，互相利用，最終他們都要回家，可是歲歲的家到底在哪里？
奇逢敵手
舒淇,安志杰,任達(dá)華,黃卓玲,林雪,黃浩然,許紹雄,吳大維,杜汶澤,田蕊妮女警阿玲（舒淇 飾）身邊有一對(duì)兒癡狂的追求者，但她的心思在那個(gè)夢(mèng)中搭救她的白衣男子身上。好友祖兒（陳逸寧 飾）得到了一份前往馬來(lái)西亞拍攝廣告的工作，心情不佳的阿玲隨同旅行。介紹祖兒工作的波比陳（林雪 飾）為人輕浮好色，暗中還是黑市交易中間人，波比陳正籌劃從大哥潘（任達(dá)華 飾）手中引進(jìn)飛彈導(dǎo)航系統(tǒng)，而這一交易，被兩名私家偵探華哥（許紹雄 飾）和埃里克斯（安志杰 飾）伺機(jī)破壞。埃里克斯誤會(huì)阿玲是波比陳的交易對(duì)象，而阿玲則認(rèn)為埃里克斯是自己的夢(mèng)中英雄，兩人懷著不同的目的開始交往。另一方面，香港小賊阿蟹（杜汶澤 飾）盲打誤撞破壞了波比陳和大哥潘的交易，幾路人馬陷入了沖突和誤會(huì)……
初始者
什恩·卡魯斯,大衛(wèi)·蘇利文,卡西·古登,Anand Upadhyaya,Carrie Crawford,Jay Butler,John Carruth,Juan Tapia,Ashley Warren,Samantha Thomson,Chip Carruth,Delaney Price,Jack Pyland,Keith Bradshaw,Ashok Upadhyaya,Brandon Blagg,Jon Cook,David Joyner,Eric De Soualhat獲得第24屆圣丹斯電影節(jié)劇情片類評(píng)委會(huì)大獎(jiǎng)的《雷管》，講述的是四位合作者出于興趣發(fā)明了一臺(tái)查錯(cuò)儀器，卻意外地發(fā)現(xiàn)這臺(tái)儀器擁有強(qiáng)大的商業(yè)價(jià)值，最終四人相互爭(zhēng)斗的局面?！独坠堋肥菍?dǎo)演什恩-卡魯斯(ShaneCaruth)首次執(zhí)導(dǎo)的劇情長(zhǎng)片，該片由他自己投資，并身兼編劇、導(dǎo)演、主演數(shù)職，體現(xiàn)出獨(dú)立電影的“DIY”精神。另外，令人津津樂道的是該片不足7000美元的超低制作成本，只相當(dāng)于一輛富康車的價(jià)錢……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
羅生門
三船敏郎,京町子,森雅之,志村喬,千秋實(shí),上田吉二郎,本間文子,加?xùn)|大介羅生門，日本京都的正南門。云游和尚、砍柴人和乞丐在城門底下避雨，三人閑聊，話題開始，故事的序幕拉開：一個(gè)武士和他妻子路過(guò)荒山，遭遇了不測(cè)。妻子被侮辱，而武士慘遭殺害。慘案如何釀成？?jī)词?、妻子、借武士亡魂?lái)做證的女巫，都各有說(shuō)法。真相只得一個(gè)，但是各人提供證詞的目的卻各有不同。為了美化自己的道德，減輕自己的罪惡，掩飾自己的過(guò)失，人人都開始敘述一個(gè)美化自己的故事版本?；纳缴系膽K案，成了一團(tuán)撥不開看不清的迷霧。談?wù)撏戤叄赀^(guò)天晴。砍柴人在羅生門旁發(fā)現(xiàn)一個(gè)哭泣的棄嬰。他決定收養(yǎng)下來(lái)，抱著嬰孩往夕陽(yáng)深處走去。
喜羊羊與灰太狼之羊年喜羊羊
祖晴,張琳,楊陽(yáng)洋,高全勝,梁穎,鄧玉婷,劉紅韻,趙娜在陽(yáng)光明媚的日子里，灰太狼突然闖入羊村，雖然他被小羊羊們擊退，卻把村長(zhǎng)的變身魔毯打劫回去。表現(xiàn)英勇的喜羊羊受到伙伴們的稱贊，而懶羊羊?qū)Υ朔炊行崙嵅黄健榱俗C明自己的實(shí)力，他將慢羊羊的時(shí)空照相機(jī)錯(cuò)認(rèn)為手槍，將其偷走后闖入狼堡。得知消息的喜羊羊匆匆趕去營(yíng)救，結(jié)果在混亂之中被卷入時(shí)空亂流回到了遠(yuǎn)古時(shí)代，灰太狼和懶羊羊更被魔毯互換了身體?；姨菬o(wú)意中被原始羊的千金相為駙馬，懶羊羊則成為幾只笨狼的首領(lǐng)。 可怕的是有一條能把任何生物變成石頭的惡龍肆虐，為了保衛(wèi)原始時(shí)代的朋友們，喜羊羊他們攜手挑戰(zhàn)惡龍，懶羊羊更成為了足以改變歷史的英雄人物……