愛愛對減肥的影響

評分：4.3 播放：25萬 更新：2026-04-25
主演： Choi Ji-woong-I (???) Jeong Doo-gyo 

An暫無內(nèi)容experiment暫無內(nèi)容on暫無內(nèi)容the暫無內(nèi)容affect暫無內(nèi)容sex暫無內(nèi)容has暫無內(nèi)容on暫無內(nèi)容diet.

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安息2

Nick Principe,Brian Austin Green,Thomas Dekker

　　經(jīng)過上一集的慘烈屠殺，湯米（湯姆斯·德科 Thomas Dekker 飾）僥幸和一名女子逃生，然而厄運(yùn)如影隨形，一名衣著考究的神秘男子追蹤到了二人暫時棲身的小旅館，以類似的手法殘忍殺害了那名女子，湯米則在此之后下落不明。與此同時，神秘男子投入大筆金錢搶救了徘徊在死亡邊緣的面具人（Nick Principe 飾）。蘇醒后的面具人更加殘暴，在神秘男子的指示下，他將目標(biāo)鎖定在時尚女孩杰絲（蜜米·麥克斯 Mimi Michaels 飾）的身上，一連串新的屠殺再次展開?！　×硪环矫?，重案組持續(xù)關(guān)注近段時間發(fā)生的連環(huán)殺人案，湯米則成為案件突破的關(guān)鍵。新的屠殺，新的噩夢，在漫漫長夜顧自展開……

瘋月

Grace Adams-Short,Aaron Krygier,Kayla Malika,Gabrielle Nunzio

　　Six college grad students and a mysterious stranger battle a pack of ferocious werewolves in a secluded cabin.

祖魯

奧蘭多·布魯姆,福里斯特·惠特克

　　阿里（福里斯特·惠特克 Forest Whitaker 飾）和母親是從曾經(jīng)慘絕人寰的種族屠殺中幸免于難的幸存者，雖然如今的他已然出人頭地成為了開普敦警局重案組的負(fù)責(zé)人，但兒時充滿了血腥和恐懼的回憶依然沉淀在他的內(nèi)心之中，陰影揮之不去。　　布萊恩（奧蘭多·布魯姆 Orlando Bloom 飾）是阿里的下屬，他的家族成員曾經(jīng)是種族隔離活動中的激進(jìn)分子，不過這并沒能夠影響到他和阿里之間的信任和友誼。一連串兇殺案的發(fā)生和一種新型毒品的出現(xiàn)將城市推到了風(fēng)口浪尖，直到這時，肩負(fù)著巨大壓力的阿里才發(fā)現(xiàn)，那些他以為已經(jīng)成為過去的事情，其實(shí)并沒有真正的過去，也永遠(yuǎn)都不會過去。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.