即刻觀影
劇情賞析
編輯推薦
午夜的太陽(yáng)
鄭知曉,車學(xué)沇該片翻拍自2006年上映的同名日本電影，講述罹患罕見疾病——XP色素性干皮癥的女主因?yàn)槠つw不能接受陽(yáng)光照射，否則將出現(xiàn)生命危險(xiǎn)。從此白天與之無(wú)緣，只能終日躲在家中，唯一的樂(lè)趣也只是趁著夜晚踱到車站廣場(chǎng)唱著自己喜愛的歌。在這一過(guò)程中，女主漸漸喜歡上時(shí)常路過(guò)車站的沖浪男孩的愛情故事。
廢世界
故事設(shè)定在《廢頭》世界的1042年前，以機(jī)器人“羅賓”作為主角。羅賓原本作為護(hù)衛(wèi)，隨同調(diào)查隊(duì)長(zhǎng)特里斯前往地下世界調(diào)查異常情況。盡管肩負(fù)保護(hù)特里斯的使命，但調(diào)查隊(duì)卻遭到了人工生命體馬里甘的邪教組織“吉拉教”的襲擊。在壓倒性的戰(zhàn)力差距下，調(diào)查隊(duì)陷入苦戰(zhàn)。然而，在這場(chǎng)激烈的交鋒中，他們發(fā)現(xiàn)了次元的扭曲，并逐步揭開地下世界隱藏的秘密與異變的真相。
金童2025
張繼聰,曾志偉,韋羅莎,林雪,朱栢康,劉皓嵐,火星,邱穟恒,李靖筠,鄭丹瑞,上山詩(shī)鈉,袁富華,林燕玲在十年前的拳擊界，張力（張繼聰 飾）是如日中天的「金童」，卻因一場(chǎng)意外失去了自由。十年后，他刑滿出獄，遇上他從未見面的親生兒子方圓。為了得到方圓母親的遺產(chǎn)，需要與方圓一起生活。張力面臨生活困境與情感糾葛，令他的生活再次翻轉(zhuǎn)。在父子間的矛盾與和解中，張力逐漸找到自己的使命，面對(duì)過(guò)去在擂臺(tái)上的陰影，決意再次重拾拳擊夢(mèng)想，并努力成為兒子的榜樣...
準(zhǔn)備好了沒2：我來(lái)了
薩瑪拉·維文,凱瑟琳·紐頓,莎拉·米歇爾·蓋拉,伊利亞·伍德,肖恩·海托西,內(nèi)斯特·卡博內(nèi)爾,凱文·杜蘭,鄭啟蕙,大衛(wèi)·柯南伯格,丹·貝爾尼,瓦倫·薩朗加,戴夫·羅斯,馬莎·利茲德克,納迪姆·菲利普,卡拉·伍滕,胡安·巴勃羅·羅梅羅,喬納森·梅森,安東尼·霍爾《準(zhǔn)備好了沒2》仍然由薩瑪拉·維文主演，導(dǎo)演組合馬特·貝蒂內(nèi)利-奧爾平&泰勒·吉勒特回歸。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
你好弗里達(dá)
奧利維婭·魯茲,Emma Rodriguez,Rebeca Gonzales,Léo C?té,Sophie Faucher,曼努爾·泰德羅斯,Anne Girard,Joey Bélanger影片生動(dòng)展現(xiàn)了墨西哥傳奇女畫家弗里達(dá)·卡羅的童年生活。好奇心旺盛的弗里達(dá)整天和妹妹玩耍，和鄰居家的狗做朋友，爬樹，在小鎮(zhèn)上奔跑，當(dāng)她擁有人生中的第一本筆記本，就迫不及待的上面涂滿色彩斑斕的圖畫和想法。小兒麻痹癥讓她臥床不起，但小弗里達(dá)毫不退縮，一旦康復(fù)，她就會(huì)重返街頭，展現(xiàn)她旺盛的生命力。