劇情簡(jiǎn)介
老頭的兒子跟兒媳婦離婚了，但兒媳婦依然在家伺候老頭，還帶來了自己的妹妹，老頭老當(dāng)益壯，妹妹水性楊花，一見面就開始勾引老頭，老頭欲拒還迎，也將妹妹給上了，但老頭并不滿足，一直覬覦自己的兒媳婦已久，偶然間聽說兒媳婦缺錢花，于是有著不少家產(chǎn)的老頭開始用金錢來引誘兒媳婦為自己“服務(wù)”
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等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
愿大家擁有幸福
古川琴音,松大航也,橋本和雄本作は田舎に住む祖父母に會(huì)いに行く看護(hù)學(xué)生の孫を主人公にした物語。孫は家族水入らずで幸せな時(shí)間を過ごすが、祖父母の家にいる「何か」に違和感を覚え、やがて人間の存在自體を揺るがすような根源的な恐怖に直面する。
妖獸都市
黎明,李嘉欣,仲代達(dá)矢,張學(xué)友,張耀揚(yáng),李若彤,袁和平,葉山麗子故事發(fā)生在未來世界，阿龍（黎明 飾）和阿強(qiáng)（張學(xué)友 飾）都是抓捕妖獸的特警隊(duì)警員，但是上司（袁和平 飾）非常器重阿龍，而對(duì)阿強(qiáng)就戒心重重。阿強(qiáng)氣不過在酒吧買醉，得到了女友（李若彤 飾）的支持寬慰。然而，他心頭總是籠罩著陰影——原來阿強(qiáng)的母親也是妖獸，后來他把這個(gè)隱秘告訴了阿龍。阿龍也坦白了自己跟妖獸幻姬（李嘉欣 飾）的一段感情…… 此后，阿龍?jiān)谝淮巫ゲ对笞冢ㄖ俅_(dá)矢 飾）的行動(dòng)中，重逢了現(xiàn)已成為元妻的幻姬，情急之下卻要引出重重誤會(huì)。其實(shí)，元大宗是要跟人類合作的妖獸，但是另有一股液態(tài)妖獸正在肆虐地侵襲這個(gè)城市。在對(duì)抗液態(tài)妖獸的過程中，阿龍與幻姬的感情經(jīng)歷了生死的考驗(yàn)，但是元大宗的兒子鬼眾道（張耀揚(yáng) 飾）卻設(shè)計(jì)離間意圖消滅人類，與此同時(shí)阿強(qiáng)也發(fā)現(xiàn)了特警隊(duì)的叛徒……
獵局反轉(zhuǎn)
弗蘭克·格里羅,歐嘉·柯瑞蘭寇,奧利弗·特雷韋納,蘭達(dá),Vladislav Lapidus,Lacy McClory,Emilija Matic這張照片講述了一對(duì)絕望的夫婦，他們?yōu)榱藘斶€暴徒的債務(wù)，進(jìn)行了一系列高端入室盜竊。當(dāng)他們?cè)噲D搶劫最近的受害者時(shí)，他們發(fā)現(xiàn)自己陷入了一場(chǎng)致命的貓捉老鼠游戲，桌子被翻轉(zhuǎn)，獵人成為獵物。
狼人2025
克里斯托弗·阿波特,朱莉婭·加納,瑪?shù)贍栠_(dá)·弗思,山姆·賈格,本·普倫德加斯特,扎克·錢德勒,本尼迪克·哈迪,米洛·考索恩,雷·沃納爾,羅伯·馬克布萊德布雷克（克里斯托弗·阿波特 Christopher Abbott 飾）是一名住在舊金山的丈夫和父親。當(dāng)他自己的父親失蹤并被判定死亡之后，他繼承了他位于俄勒岡州鄉(xiāng)下偏遠(yuǎn)地區(qū)的童年老家。當(dāng)他和他事業(yè)有成的女強(qiáng)人妻子夏莉特（朱莉婭·加納 Julia Garner 飾）的婚姻逐漸走向破裂，布雷克就說服夏莉特帶著他們年幼的女兒金潔（瑪?shù)贍栠_(dá)·弗 思 Matilda Firth 飾）一起離開城市，前往他的童年老家度假?！ 〉钱?dāng)這一家人在深夜來到這座農(nóng)舍時(shí)，他們突然遭到一只看不見的怪獸攻擊，為了逃離危險(xiǎn)，他們就躲進(jìn)農(nóng)舍里面，并且將所有入口封住，而那只怪獸則在外面徘徊。當(dāng)他們驚懼地試圖度過漫漫長(zhǎng)夜時(shí)，布雷克卻開始出現(xiàn)奇怪的舉動(dòng)，而且逐漸變成一種不知名的怪物，于是夏莉特就被迫必須決定：到底是屋內(nèi)的恐怖更致命，還是外面的危險(xiǎn)更可怕？
校園點(diǎn)將錄
李麗珍,谷峰,何啟南,陳山河,焦姣,陳松伶預(yù)科學(xué)校若智書院有一群成績(jī)堪憂思想活躍的學(xué)生，校董家的謝天（何啟南 飾）與謝地兄妹憑借老爸身份，即便留級(jí)也不擔(dān)心學(xué)業(yè)；綽號(hào)水電工的嘉明為人老實(shí)，暗戀同學(xué)白逸夢(mèng)（陳松伶 飾），而白逸夢(mèng)滿腦子言情幻想，全然沒有留意；李時(shí)珍（李麗珍 飾）因?yàn)樵谀咸窖笕簫u旅游，耽誤了開學(xué)日，在旅游期間，李時(shí)珍結(jié)識(shí)了香港青年戴運(yùn)河（陳山河 飾），運(yùn)河對(duì)時(shí)珍一見鐘情，不顧家人反對(duì)退掉美國(guó)大學(xué)，趕到香港入讀若智書院。運(yùn)河的到來令謝天大為緊張，謝天屬意時(shí)珍日久，和死黨吳成材一直無法打動(dòng)芳心，但也不能容忍運(yùn)河插手。校園內(nèi)一時(shí)掀起了一場(chǎng)多角戀愛的爭(zhēng)奪……校董面對(duì)惡作劇的學(xué)生們大為光火，聘請(qǐng)軍校老師對(duì)書院進(jìn)行軍事化管理，這引發(fā)了學(xué)生們的空前團(tuán)結(jié)……
河貍變身計(jì)劃
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