劇情簡(jiǎn)介
英文名：Lustful Gisaeng,2017年度最新韓國(guó)限制級(jí)劇情電影
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神明2025
金圭麗,安閔尚尹智姬(金圭麗飾)從小自焚開始癡迷于巫術(shù)。在認(rèn)識(shí)到可以利用男人得到想要的東西的事實(shí)之后，她開始通過整容改變長(zhǎng)相，甚至偽造姓名、學(xué)歷、身份，過著完全不同的生活。在這種情況下，嘗到權(quán)力滋味的尹智姬終于陷入了要將大韓民國(guó)掌握在自己手中的野心之中，PD鄭賢洙(安內(nèi)相)和報(bào)道記者們?cè)谧粉櫻杆佘S升為大選候選人的檢察官出身的政治人物金碩一和她的過程中，對(duì)兩人之間可疑的連接環(huán)節(jié)產(chǎn)生了強(qiáng)烈的疑惑，但越是接近可怕的真相就越是危險(xiǎn)。。。。。。
風(fēng)林火山
金城武,劉青云,梁家輝,古天樂,高圓圓,杜德偉,鮑起靜,林俊賢,盧冠廷,姜珮瑤,衛(wèi)詩雅,甘國(guó)亮,盧海鵬,劉永,吳嘉龍,李元霸,任賢齊,夏韶聲,王德順,程?hào)|,狼森,尼克·福特港島雪夜，街頭無差別掃射，血流成河；醫(yī)院爆炸火光沖天，慘叫此起彼伏。 這不是末日，是毒品操控下的城市煉獄?！ 《矩溡远酒氛瓶爻鞘忻}，殺手為爭(zhēng)奪貨源血洗街頭，警方在陰謀中艱難前行——當(dāng)三方勢(shì)力陷入混戰(zhàn)，最令人窒息的逆轉(zhuǎn)突然降臨：操縱一切的毒販，竟開始全面禁毒？雪夜之下，誰是幕后推手？誰能從這場(chǎng)罪惡風(fēng)暴中全身而退？
刺殺小說家2
鄧超,董子健,雷佳音,王圣迪,丁程鑫,王彥霖,鄧飛,張震,辛芷蕾,郭京飛,常遠(yuǎn)陷入人生低谷的小說家路空文（董子健 飾）被巨大的誘惑牽引，導(dǎo)致他自己和書中的角色都陷入了不可逆轉(zhuǎn)的危機(jī)。最終小說家找回了信念，與書中人一起拯救了雙世界危機(jī)。
航越地平線
妮可·基德曼,山姆·尼爾,比利·贊恩海軍軍官約翰·英格拉姆（薩姆·尼爾 Sam Neill 飾）和妻子蕾（妮可·基德曼 Nicole Kidman 飾）原本擁有一個(gè)幸福的家庭，但一場(chǎng)災(zāi)難摧毀了一切。在前往車站接丈夫的途中，蕾駕駛的汽車與他車相撞，坐在后座的幼子丹尼（Joshua Tilden 飾）因而喪生，這令夫婦倆陷入巨大的悲痛之中。為了彌合心靈的傷痛，約翰帶著蕾乘游艇前往海上度假。某日，英格拉姆夫婦搭救了聲稱原本計(jì)劃?rùn)M渡太平洋卻遇難的男子休吉·瓦倫納（比利·贊恩 Billy Zane 飾）。本是善意之舉，卻無意中將夫婦帶入另一場(chǎng)災(zāi)難之中…… 本片榮獲1989年澳大利亞電影學(xué)院最佳攝影、最佳剪輯、最佳音效和最佳配樂四項(xiàng)大獎(jiǎng)。
日夜男女
楊冬麒,張夢(mèng)戈,大兵,華運(yùn)哥一對(duì)從外地來到北京打拼的陌生男女由于被騙不得已合租一間地下室，并同睡一張床引發(fā)的一段啼笑皆非的故事，與其他合租不同的是兩人分時(shí)段合租，男孩晚上住，女孩白天住。那么兩人如何被騙，又是怎樣住在一起，女孩晚上又在做什么？而當(dāng)這張床又被笨賊盯上，幾人圍繞這張床又會(huì)發(fā)生怎樣出人意料的故事呢？很快我們就能得到答案。 該劇針對(duì)性強(qiáng)，受眾度廣，笑點(diǎn)密集，情節(jié)曲折幽默，搞笑而不搞怪，通俗而不低俗。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
小林家的龍丫頭：怕寂寞的龍
長(zhǎng)繩麻理亞,田村睦心,桑原由氣,高田憂希,高橋未奈美,杉浦栞 ,小野大輔,中村悠一,加藤英美里,石原夏織小林一家將迎來前所未有的挑戰(zhàn)，異世界兩大陣營(yíng)戰(zhàn)火一觸即發(fā)，康娜父親奇姆恩卡姆依決定帶康娜歸返異世界?！霸僖娏耍×帧笨的葘⑷绾芜x擇？