夏日戀人
邁克爾Michael（彼得加拉格爾飾）和達麗爾Daryl（達麗爾 ;漢納飾）是一對戀人，他們來到希臘愛琴海中的圣托里尼島歡度8周的暑假，住進聞名世界的度假小屋。邁克爾有意無意之間，迷上了他在天體角與之目遇的考古工作者莉娜Lina（瓦萊麗 ;凱內(nèi)桑飾）一位為了逃避過往的法國美女。從此，開始了一段浪漫和有趣的三人行戀情?！∵~克爾追求新歡的理由，僅僅是為了跳脫一成不變的生活模式，他鼓勵女友達麗爾也去認識新的;朋友 。而達麗爾對感情的態(tài)度較為嚴謹，但又不愿男友厭棄自己，為了討好邁克爾，她閱讀了許多的情趣書籍，希望藉由不同的性游戲道具，甚至是SM的滴蠟燭液，來為感情加溫?！『迷诶蚰鹊膽B(tài)度積極正面，除了一夜情之外，反而回過頭來規(guī)勸邁克爾回到女友達麗爾的身邊，同時也跟達麗爾成為交心好友。就在三人毫無隱瞞的告白之后，成就了一段三人行戀情的;夏日戀人
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村“靚”了
陶慧敏,王毅凡,李藝,張明明,葉青青,朱嘉鎮(zhèn),陳鏡宇,隋抒洋,張家駿該片講述了新時代，主人公陳建國回到家鄉(xiāng)，憑借創(chuàng)新精神和不懈努力，將曾經(jīng)“臟亂差”問題突出的家鄉(xiāng)成功打造為遠近聞名的民宿旅游村，不僅帶動了鄉(xiāng)村經(jīng)濟的蓬勃發(fā)展，顯著改善了村民的生活環(huán)境，更是引領村民踏上了共同富裕的小康道路，深刻展現(xiàn)了鄉(xiāng)村振興、創(chuàng)新合作、青年擔當以及鄉(xiāng)村發(fā)展的巨大潛力。
禁忌凝視
皮婭·吉爾塔,克里斯托弗·約納爾,塔雷克·扎亞特,Kristoffer Sagmo Aalberg,Ismael Al-Khazaali,Ibrahim Amaev,Anna Bakke,Negusse Berhe,Selma Brattab?,Osama Dabagh,Benjamin Ebbesen,Ragnhild Gudbrandsen,Johannes Hageseter,凱瑟琳·索博格·約翰森,Téa Gr?nner Joner,Celine Knag,Nj?l Lambrechts,Kenn艾娃是一位受人歡迎的教師，她的丈夫是當?shù)氐氖虚L。盡管他背叛了她的信任，她仍然計劃支持他的競選活動，因此她開始在當?shù)氐囊粋€難民中心做志愿者。在這里，她與18歲的難民阿米爾親近起來，他的詩歌才華深深吸引了她。然而，他們越走越近，她對局勢的掌控就越少。這部關于禁忌之愛的戲劇《別叫我媽媽》讓主角們面臨道德考驗，同時挑釁性地探討了虛偽如何偽裝成慷慨。充分利用了自己作為選角導演的經(jīng)驗，尼娜·克納格從演員皮婭·蒂耶塔、克里斯托弗·約納和塔雷克·扎亞特那里得到了出色的表現(xiàn)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
比佛利拜金狗
派珀·佩拉博,馬諾洛·卡多納,杰米·李·柯蒂斯,何塞·馬利亞·亞茲皮克,莫瑞·史特林,杰蘇斯·歐喬阿,德魯·巴里摩爾,安迪·加西亞,喬治·洛佩茲克洛伊（德魯·巴里摩爾 Drew Barrymore 配音）是比佛利山的一只吉娃娃狗，被寵壞了的它生活極其奢侈。主人薇薇姑媽（杰米·李·柯蒂斯 Jamie Lee Curtis 飾）要出遠門，把照顧克洛伊的任務交給了安吉拉（愛莉·希爾斯 Ali Hillis 飾）。安吉拉帶著克洛伊和朋友們一起去墨西哥的海灘旅行。來到海灘， 姑娘們立即被健碩英俊的小伙子們吸引了，而克洛伊則在安吉拉的“重色輕狗”下，走失于碩大的墨西哥城中。那些簡陋的街道看起來跟比佛利山大相徑庭。無奈之下，克洛伊只得求助于一些新朋友，包括一只經(jīng)歷復雜的德國牧羊犬戴戈多（安迪·加西亞 Andy Garcia 飾），和一只多情的小狗帕皮（喬治·洛佩茲 George Lopez 飾），克洛伊在它們的幫助下，振作精神找尋回家的路......
不允許帶狗
卡洛·克拉姆林,羅賓·桑德曼,卡塔琳娜·瑪麗·舒伯特,斯蒂姆拜爾·蒙克,比內(nèi)塔·漢森,肖恩·道格拉斯,薩米·施賴恩,維拉·菲,麗莎·里斯納,奧勒·伊斯菲特,理查德·基普,卡塔琳娜·雷,拉爾夫·霍尼克,弗蘭茨·費迪南德·克勞斯,卡特婭·烏菲爾曼,芬雷·德亞文十五歲的加博，表面過著平凡簡單的青少年生活，背后卻隱藏著不可告人的秘密—-他戀上好友的弟弟，而弟弟只有八歲！他在網(wǎng)上論壇尋求建議，試圖抑制戀童欲望，因而結識了戀少年經(jīng)驗豐富的戴夫。直至戴夫因涉嫌侵犯未成年少年受到警方調(diào)查，加博終于不得不面對一場自我審問：他到底是受害人，還是施害者？改編自真實事件，來自德國的史蒂夫.巴赫大膽直面禁忌話題，以敏銳成熟的筆觸，探問生活與社會規(guī)范怎樣塑造了今時今日的我們。
致命交友軟件
Alyssa Lynch,Mitch Ainley,塔緹娜·阿里,Bethany Brown,戴博斯·霍華德,本·威爾金森,艾莉森·巴思,Matt Hamilton,Priya Margaret Kooner19歲商務專業(yè)大學生Trina目睹了自己輔導過的女生Jade在車庫被撞死，但警方認為是一起意外事件。為了支付大學費用，Trina開發(fā)了一個獨特的約會APP軟件UPFRONT。在UPFRONT取得了巨大的成功之后，Trina無意中得知自己的APP被一些女生濫用為賣淫中心。正在Trina與朋友、導師商量是否需要關閉網(wǎng)站或者報警時，發(fā)現(xiàn)其中一個做應召的女生在宿舍自殺。Trina在追查兩個女生的死因的過程中，發(fā)現(xiàn)導師的老公竟然是Jade的常客。在準備和導師見面的過程中，發(fā)現(xiàn)導師被刺，最后的兇手竟然是瘋狂愛上Jade的院長。最后在合作朋友的幫助下，將院長繩之以法。