整容天后
影片改編自漫畫家岡崎京子的同名漫畫，由日本攝影大師蜷川實(shí)花執(zhí)導(dǎo)。 成為2012年日本YAHOO網(wǎng)站搜索第一的電影，榮獲日本GRP Award 2012年度最優(yōu)秀電影獎(jiǎng)！ 又胖又丑的莉莉子（澤kao英龍華 飾）原本在專供有;胖妹廦人士尋歡的夜店內(nèi)工作。進(jìn)行了風(fēng)險(xiǎn)極高的全身整容手術(shù)，脫胎換骨后的莉莉子，靠著人造天使臉孔以及魔鬼身材，火速成為各大頂尖時(shí)裝雜志，以及國際名牌的御用model，實(shí)現(xiàn)了一直以來的夢想。正當(dāng)莉莉子享受著五光十色的美好之時(shí)，不知不覺鈡，整形手術(shù)的后遺癥開始侵襲她那具那經(jīng)過精心雕琢一觸即碎的身體。而她的生活與事業(yè)也不同程度遭受挫折，原本約定好的結(jié)婚對象毀棄婚約，與別的釹人出雙入對；擁有更加可人容貌的新人模特則虎視眈眈奮起直追，時(shí)刻覬覦莉莉子好不傛易到手的時(shí)尚釹王寶座。終極之美土崩瓦解的一瞬間，恰是從天堂跌落地獄的恐懼時(shí)刻
在線觀看
劇情提要
影片改編自漫畫家岡崎京子的同名漫畫，由日本攝影大師蜷川實(shí)花執(zhí)導(dǎo)。 成為2012年日本YAHOO網(wǎng)站搜索第一的電影，榮獲日本GRP Award 2012年度最優(yōu)秀電影獎(jiǎng)！ 又胖又丑的莉莉子（澤kao英龍華 飾）原本在專供有;胖妹廦人士尋歡的夜店內(nèi)工作。進(jìn)行了風(fēng)險(xiǎn)極高的全身整容手術(shù)，脫胎換骨后的莉莉子，靠著人造天使臉孔以及魔鬼身材，火速成為各大頂尖時(shí)裝雜志，以及國際名牌的御用model，實(shí)現(xiàn)了一直以來的夢想。正當(dāng)莉莉子享受著五光十色的美好之時(shí)，不知不覺鈡，整形手術(shù)的后遺癥開始侵襲她那具那經(jīng)過精心雕琢一觸即碎的身體。而她的生活與事業(yè)也不同程度遭受挫折，原本約定好的結(jié)婚對象毀棄婚約，與別的釹人出雙入對；擁有更加可人容貌的新人模特則虎視眈眈奮起直追，時(shí)刻覬覦莉莉子好不傛易到手的時(shí)尚釹王寶座。終極之美土崩瓦解的一瞬間，恰是從天堂跌落地獄的恐懼時(shí)刻
暗夜精選
安吉的治療
拉內(nèi)特·塔切爾,肖恩·尼爾森,精華阿特金斯醉刀客
李炳淵,孫藝燃,趙靖舒玉,藍(lán)曼予,來喜,龍武,閆青龍,喻慶輝,李長虹,劉杰,王藝圍,郭宜林,姚紅剛,彭秋生,馮玉璽,楊爭,黃本冰,席瑞東,彭羿言,李瀚辰失落的世界1960
邁克爾·倫尼,大衛(wèi)·海迪生,Jill St. Hedison,克勞德·雷恩斯,費(fèi)爾南多·拉馬斯,理查德·海頓,Ray Stricklyn王牌保鏢2
瑞安·雷諾茲,塞繆爾·杰克遜,薩爾瑪·海耶克,弗蘭克·格里羅,理查德·E·格蘭特,安東尼奧·班德拉斯,摩根·弗里曼,斯圖爾特·亞歷山大,早乙女津和雪,麗貝卡·弗朗特,諾杰·赫拉爾,邁克爾·戈?duì)?喬治·格倫,巴里·阿茨瑪,蒂內(nèi)·朱斯特拉,加里·奧德曼,瑪麗安娜·維基爾斯卡,布萊恩·卡斯佩,丹柯·約爾丹諾夫,西蒙·安德魯,塞爾吉奧·托里科,布萊克·瑞特森,湯姆·霍珀,加布里埃拉·賴特,卡羅琳·古多爾,愛麗絲·麥克米蘭,伊萬·朱里奇,米爾托斯·耶羅勒曼,帕特里克·休斯,德拉甘·米恰諾維奇,托米·梅,喬納斯·塔金妖狐傳
馬倩倩,張競達(dá),王昭,朱利安正義聯(lián)盟：無限地球危機(jī)(下)
凱緹·薩克霍夫,迪恩·文特斯,馬克·哈米爾,寇瑞·斯托爾,雅士利·伯奇,布萊恩·布魯姆,布雷特·道頓,凱文·康瑞,杰森·斯皮薩克,艾爾西亞·羅塔魯,辛希亞·卡耶·麥克威廉姆斯,爾瑪·泰勒死亡筆記美版
曹斐然,李崢,李奔同系列推薦
毛骨悚然撞鬼經(jīng) 25周年特別篇
稻垣吾郎,香取慎吾,森七菜,山內(nèi)健司,坂口憲二,生見愛瑠,門脅麥,山口紗彌加,豐島花,布施繪里守株人
楊紫,駱達(dá)華,杜奕衡,劉筱筱,林雪,林妙可鐵血戰(zhàn)士：荒原
David Chokachi,Amulya Ananth,Vanessa Zanardi銀行搶劫案
杰森·斯坦森,薩弗蓉·布羅斯,斯蒂芬·坎貝爾·莫爾,丹尼爾·梅斯,詹姆斯·福克納,阿爾基·戴維,邁克爾·吉普森,喬治婭·泰勒,理查德·林特恩,彼得·鮑勒斯,埃利斯戴爾·皮特里,哈蒂·莫拉漢,朱利安·劉易斯·瓊斯,安德魯·布魯克,魯珀特·弗雷澤,克里斯托弗·歐文,凱莉·霍威,唐·加拉格爾,克雷格·法布拉斯,杰拉德·霍蘭,羅伯特·懷特洛克,大衛(wèi)·蘇切,彼得·德·杰西,約翰·邁爾斯,科林·薩蒙,莎朗·摩翰,雷·尼古拉斯,杰米·肯納,安格斯·瑞特,馬克·菲尼克斯,朱利安·弗思,魯珀特·范西塔特,布隆森·韋伯,奧馬古劍奇譚之琴心劍魄
白澍,梁婧嫻,姜震昊,黃羿,王景灝密室逃生
泰勒·拉塞爾,洛根·米勒,黛博拉·安沃爾,泰勒·萊伯恩,杰·埃利斯,尼克·多達(dá)尼,杰西卡·薩頓,約里克·范·韋杰寧根,杰米-李·蒙尼,亞當(dāng)·羅比特爾,韋爾·廷德爾,肯尼思·霍,科尼利厄斯·吉尼,保羅·漢普賽爾,佩泰·塞彭克,丹·格倫伯格,吉諾·李幕后花絮
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
像這樣的夜晚
一位身無分文的同志演員和一位因生意失敗而陷入困境的高層人物在一個(gè)冬夜相遇，并聯(lián)手在倫敦各地尋找他們悲慘生活的意義，但當(dāng)他們看似不可能的聯(lián)系變成了更深層次的東西時(shí)，來自過去的恐懼和心魔開始危及他們的生活。