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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鏢人：風(fēng)起大漠
吳京,謝霆鋒,于適,陳麗君,孫藝洲,此沙,李云霄,梁家輝,張晉,惠英紅,張譯,李連杰,劉耀文,熊瑾怡,莒謙朗,白那日蘇,梁壁熒,文俊輝,董思成,林秋楠,景瓷,張藝瀧,李嘉輝,寇占文,代樂樂,釋彥能,徐向東,淳于珊珊,孟鶴堂,于榮光,陳少熙,趙箭,袁和平大漠之上，鏢人、官府、西域五大家族等多方勢力盤根錯節(jié)、暗潮涌動?！疤熳值诙柼臃浮钡恶R接下特殊押鏢任務(wù)，和同伴一起從西域護鏢遠赴長安。不料，他們的護送對象竟是“天字第一號逃犯”知世郎……天下熙熙皆為利來，各方勢力聞風(fēng)入局，搶鏢廝殺接連上演……
弗蘭肯斯坦計劃
莉莉·莫羅利,凱內(nèi)爾·穆德盧佐,米克洛什·B·塞凱伊,迪亞·麥格唐娜·凱斯,卡塔·韋伯,山大·特赫斯,魯?shù)婪颉じベ嚻婵?Kitty Csíkos,Natasa Stork,ági Margittay盧迪（凱內(nèi)爾·穆德盧佐 Kornél Mundruczó 飾）從小就成長在孤兒院中，他剛一出生就被父母無情的拋棄了，從來都沒有感受過親情的滋味。17歲時，對父母的思念在盧迪的內(nèi)心里愈演愈烈，他決定動身去尋找他們的蹤跡。但很快，殘酷的現(xiàn)實就讓盧迪知道，他的存在對于他的親人們來說或許并非一件好事。 一次偶然中，盧迪得到了一次試鏡的機會。導(dǎo)演被盧迪身上所散發(fā)出來的陰郁氣質(zhì)深深的吸引了，認為他就是扮演自己電影里角色的不二人選?？墒窃旎?，導(dǎo)演并不知道，眼前的這個年輕人，正是他早些年間拋棄的兒子。
仿生人妻子
喬納森·萊斯·梅耶斯,埃萊娜·康博里斯,多隆·貝爾,阿加·達什,Alix Villaret,Fletcher Donovan,莎拉·桑帕約,Rachelle Goulding,凱特琳·史崔克,C.J. Perry威廉喪妻后，從AI公司得到一位與亡妻樣貌相同的仿生人，在人工智能開發(fā)的斗爭中，一個神秘組織試圖通過破壞仿生人的程序來讓仿生人獲得自由...
死亡修女
阿瑞亞·貝得瑪,阿爾穆德納·阿莫爾,Maru Valdivielso,Luisa Merelas,Chelo Vivares,Pablo Guisa Koestinger,康斯薇洛·特魯希略,Daniela Casas,Olimpia Roch,Sara Roch,Marina Delgado,Claudia Fernández Arroyo,Adriana CamarenaThe film tells the story of how, in post-war Spain, Narcisa (played by Aria Bedmar), a novice with supernatural powers, arrives at a former convent, now a school for girls, to become a teacher. As the days go by, the strange events and increasingly disturbing situations that torment her will eventually lead her to uncover the terrible web of secrets that surround the convent and haunt its inhabitants.
毛骨悚然撞鬼經(jīng) 2018夏季特別篇
神木隆之介,內(nèi)田理央,岡山天音,菜菜緒,飯豐萬理江,小野武彥,よしこ,まひる,桐山漣,余貴美子,平祐奈,葵若菜,今田美櫻,櫻田通,宮澤竹美,櫻井由紀,北村一輝,吉田羊,稻垣吾郎1.「看不見的沉淀」 在不動產(chǎn)公司工作的佐佐木裕介。就在他進公司第三年終于開始上手時的某一天，裕介大學(xué)時代的同學(xué)?井口真梨惠（內(nèi)田理央 飾）來到了不動產(chǎn)公司。真梨恵表示想尋找和同樣是大學(xué)同學(xué)的駒田和哉（岡山天音 飾）一起住的房子。然而和哉所要求的租 金與離車站距離等條件卻很難找到符合的房子，最后和哉提出要求讓裕介介紹事故物件（臺灣俗稱的兇宅）給他，事情就是從和哉與不知情的真梨恵入住新房開始的．．．那間房子曾經(jīng)有男人吊死在衣柜內(nèi)，數(shù)個月后的某日，憔悴的真梨恵拜訪了裕介，她說和哉的樣子越來越奇怪????！ ?.「迷途的女人」 因親人調(diào)職而剛搬到鄉(xiāng)下地區(qū)的女高中生?金子初美（平佑奈 飾），還沒適應(yīng)新環(huán)境。在某個夏日，她走了與平時不同的路，卻不小心在山間迷路，等到她注意到時，一個怪異的長髮女人不懷好意地靠近她????！ ?.「被搶走的地方」 在醫(yī)院的內(nèi)科擔(dān)任護士工作的村田久美子（菜菜緒 飾），對一位年長的病人?五十嵐德治非常頭痛。由于會有夾帶細菌的危險性，醫(yī)院內(nèi)是禁止將盆栽植物帶入病房內(nèi)的，然而五十嵐卻堅持要把一盆黑竹放在病房內(nèi)，在久美子的勸說下，五十嵐終于同意讓久美子暫為保管黑竹，然而就在五十嵐自言自語著黑竹很寂寞希望把它還回來時，五十嵐卻去世了。久美子也覺得這黑竹有些奇怪的感覺。五十嵐去世后，久美子悄悄把黑竹帶回自家照顧。某天晚上，家中沒有養(yǎng)貓的久美子，卻在睡覺時聽到貓的叫聲??? 4.「浪花心靈道」 這是在阿好還沒成為藝人，在小吃店打工時發(fā)生的事，在媽媽桑千佳(余貴美子 飾)的介紹下，佳子與店內(nèi)的常客柴崎雄二（桐山漣 飾）交換了聯(lián)絡(luò)方式，數(shù)天后阿好收到來自柴崎的訊息，上頭寫著「明天，有空？」，認為是約會邀約的阿好，隔天卻被帶往柴崎的父親的房間，柴崎表示因最近附近亡故，希望阿好能一起幫忙整理遺物。柴崎將父親的黑色念珠作為禮物贈送給努力幫忙的阿好，首次收到男性禮物的阿好非常高興，在那之后，阿好與同居人真晝(暫譯)同住的房內(nèi)開始接二連三發(fā)生怪事????！ ?.「穿衣鏡」 剛開始在家庭餐廳打工的近藤萌繪（葵若菜 飾），在打工的時候結(jié)識了與她同年紀的藤本裕子（今田美櫻 飾），裕子送了一面穿衣鏡給萌繪作為禮物。某天夜裡，萌繪正在睡覺時，房間內(nèi)的穿衣鏡發(fā)生了奇怪的變化????！ ?.「來自念波的盡頭」 經(jīng)營會計師事務(wù)所的中井英才（北村一輝 飾），有一天去了二手回收店，被一個有點年代的收音機吸引而購買?；氐郊已e打開了廣播收音機，卻聽到了「嗚、嗚、嗚、」像有人在呻吟般的令人毛骨悚然的聲音???