偷窺狂人 L'uomo che guarda
大學(xué)教授奴奴（Francesco Casale 飾）目前和癱瘓的父親同住，為了能讓辛勞一生的父親更好的安度晚年，他聘請了一位美艷的護(hù)士照顧父親的生活起居。隨著時間的流逝，奴奴發(fā)現(xiàn)了父親和護(hù)士之間的曖昧情感，而他驚訝的發(fā)掘，自己從窺視中竟然獲得了異常的快感。 奴奴早已結(jié)婚，但與妻子分居且感情并不是十分完滿。某一日，護(hù)士偷偷的告訴奴奴，她曾看見他的妻子在午夜時分和他的父親共處一室。奴奴找到妻子質(zhì)問，卻從妻子處得到了一個驚人的消息——她曾在新婚之夜被自己的父親強(qiáng)奸。在痛苦和內(nèi)疚中，奴奴原諒了妻子，妻子重新搬回了奴奴的住處，奴奴，妻子和父親三人開始了新的生活。
即刻觀影
劇情賞析
編輯推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
字母殺手
艾麗莎·杜什庫,加利·艾爾維斯,湯姆·馬洛伊,蒂莫西·赫頓,邁克爾·艾恩塞德紐約，一名女童在登上一輛汽車后遇害身亡，女警梅根（艾麗莎·杜什庫 Eliza Dushku 飾）調(diào)查此案，她敏銳的意識到被害女童的姓與名以及案發(fā)地三者的首字母相同，但除此之外毫無線索，梅根為查案用盡辦法，然而卻一無所獲，反而梅根本人的精神壓力日漸累積，她開始看到被害女童的幻影，終于精力不支甚至選擇自殺，最后不得不接受精神治療。兩年后，再次有符合首字母規(guī)律的女童被害案件發(fā)生，此時的梅根不顧上司反對，再次介入調(diào)查，她和搭檔在排查多位嫌疑人的同時，這位針對女童的“首字母殺手”作案愈發(fā)頻繁。梅根究竟能否拼貼出兇手的真相？ 本片根據(jù)真實案件改編。
詛咒之刃
A large villa belonging to a collector that is about to be restored into a museum traps project workers who are carrying out a survey. A curse is released, killing the humans inside one by one
自殺俱樂部2001
石橋凌 , 永瀨正敏 , 寶生舞 , 佐藤珠緒 , 野村孝 , 羅利寺西 , Joshua , 辻岡正人 , K?suke Hamamoto , Kei Nagase , 嘉門洋子 , Maiko Mori , Sayako Hagiwara , 金子貴俊 , Mika Miyakawa夜色沉沉的東京新宿站，勞碌一天的人們依舊行色匆匆，仿佛從不知停歇的工蜂。然而卻有一群正處在青春期的女孩綻放著無憂無慮的笑容。她們身穿著不同款式的校服，似乎早已約好一般同時來到這里，女孩們在月臺前一字排開，手拉手齊齊跳向飛馳而來的列車。一時間血光四濺，54個鮮活的生命瞬間消失。 這一事件轟動全國，與此同時類似集體自殺的事件愈演愈烈，甚至連調(diào)查此案的警官黑田敏春（石橋凌 飾）及其家人也受到波及。黑田的搭檔涉澤健次（永瀬正敏 飾）通過不懈的調(diào)查，發(fā)現(xiàn)一連串的自殺事件都和一個名為“自殺俱樂部”的網(wǎng)站有關(guān)。事件的真相究竟如何？慘劇最終能否終止？
昭和殘俠傳：血染的唐獅子
高倉健,藤純子,池部良,津川雅彥,曽根晴美,山城新伍,牧紀(jì)子,萩玲子昭和初期。淺草界隈の左官、大工をまとめ信望を一身に集める鳶政は、今は病身で、後取りの小頭の秀次郎が兵役から帰還してくるのを待っていた。そうした時、東京で博覧會が開かれることになり、會場が上野に決った。上野は鳶政の縄張りだったが、博徒阿久根一家が札束をつんで工事の利権を譲れと言ってきた。これを斷った鳶政は阿久津の子分三日仏に殺された。阿久津はその上、市の土木局長高見沢と結(jié)託し、鳶政傘下の業(yè)者を買収してしまった。そんなやり方に、阿久津の代貸し重吉とその妹文代は心を痛めていた。重吉は秀次郎とは親友だった。やがて秀次郎が帰ってきた。そして入札は無事に鳶政一家に落ち、會場建設(shè)の大工事が始った。そんな時、音吉が蕓者染次を身請けするため大切な纒を質(zhì)屋の巖源に渡し、それが阿久津の手に渡るという事件が起った。音吉は責(zé)任を感じそれを取り返しに行って殺され、染次も阿久津に身を売る約束で纒を取返したが、音吉の後を追って死んだ。秀次郎たちは阿久津への激しい怒りに駆られたものの、今は工事の方が大切と會場建設(shè)に全力を注ぐのだった。しかし阿久津たちはそんな鳶政一家に次々と工事の妨害を仕かけてきた。それをじっと耐えていた秀次郎たちだったが、工事現(xiàn)場に放火された時は勘忍袋の緒を切らした。一方、度重なる阿久津の悪どいやり方に重吉は盃を叩き返し、秀次郎の許に駆けつけた。ちょうど秀次郎は、ひとりで毆り込もうとする鳶政のひとり息子明夫を制し、自分で行こうとしていた。かわりに秀次郎と重吉が阿久津一家に毆り込んだ。二人は思う存分暴れ回り、たちまち修羅場と化したが、その中で重吉が三日仏に殺された。しかし、唐獅子牡丹の刺青を背に暴れる秀次郎に、阿久津も三日仏も倒されていった。
絕命47小時
亞歷山德里婭·德伯里,艾莉·瑪麗·埃文斯,湯姆·普羅克特,Amanda Marie Wilkinson,布賴恩·馬西,Annie Hamilton,Natalie Dickinson,盧克·謝爾頓 Luke Shelton,Julia Lashae,Zach Rose兩個不善社交的少女，一天晚上無聊，轉(zhuǎn)向互聯(lián)網(wǎng)尋找恐怖故事。他們在一個令人毛骨悚然的網(wǎng)絡(luò)上找到了一個游戲，聲稱你可以用你的手機(jī)來召喚超自然...如果你輸了比賽...你失去了生命