性和改革

評(píng)分：5.3 播放：04萬(wàn) 更新：2026-04-24

在洶涌的政治事件，俄羅斯20世紀(jì)80年代末嶄露頭角知名法國(guó)電影經(jīng)典在俄羅斯女孩安排鑄造參與情色電影。然而，他面臨著蘇聯(lián)的現(xiàn)實(shí)，已經(jīng)開(kāi)始得到免費(fèi)的透明度和民主的開(kāi)端，在全國(guó)的屬性。影片展示了一個(gè)大量的L體與俄羅斯女演員，俄羅斯自改革和懷舊的生活場(chǎng)景。 　　

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非法入侵

尼古拉斯·凱奇,妮可·基德曼,本·門德?tīng)柹?麗亞娜·萊伯拉托,凱姆·吉甘戴,喬丹娜·斯皮羅,達(dá)什·米霍克,艾米麗·梅德,尼可·托托雷拉

　　米勒一家似乎擁有所有人都?jí)裘乱郧蟮纳睿汉勒?、跑車、美滿的家庭。在一個(gè)普通的日子，美麗的妻子薩拉（妮可·基德曼 Nicole Kidman 飾）迎接出差回家的丈夫，成功的鉆石采購(gòu)商凱爾（尼古拉斯·凱奇 Nicolas Cage 飾）。凱爾回家的同時(shí)青春期的女兒則艾弗瑞（麗亞娜·萊伯拉托 Liana Liberato 飾）瞞著父母偷偷溜出家門去參加朋友家的派對(duì)?？墒翘煊胁粶y(cè)風(fēng)云，一伙由四人組成的搶劫團(tuán)伙闖進(jìn)米勒家，綁架了夫婦二人欲實(shí)施搶劫。艾弗瑞參加完派對(duì)回家也不幸撞到了家中正在發(fā)生的悲劇。面對(duì)喪心病狂的劫匪，米勒一家將怎樣解除危機(jī)？他們是否會(huì)安然無(wú)恙？而這看似普通的搶劫背后是否又有不為人知的陰謀和骯臟的秘密？

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

來(lái)聊聊須緒美吧

長(zhǎng)澤雅美,西島秀俊,松坂桃李,瀨戶康史,遠(yuǎn)藤憲一,小林隆,坂東彌十郎,戶塚純貴,阿南健治,梶原善,宮澤艾瑪

 三谷幸喜自編自導(dǎo)。大富豪的妻子須緒美突然失蹤，在得知她失蹤后，在丈夫居住的豪宅集結(jié)的是愛(ài)過(guò)她的5個(gè)男人。但是他們所說(shuō)的須緒美，無(wú)論是外表還是性格，都像是換了一個(gè)人。那么，到底須緒美的真面目是什么呢？