VN.081-土肥圓矮挫窮

雙龍出海

　　貝多芬（岑建勛 飾）和阿秋（吳耀漢 飾）是一對(duì)好朋友，也是搞笑鬼馬的便衣搭檔。他們常將警局鬧得不可開(kāi)交，連上司陳辦（陳欣建 飾）也頭疼不已。不過(guò)，自從阿秋和安娜（葉德嫻 飾）結(jié)婚之后，貝多芬就變得孤苦伶仃，可憐兮兮。最終貝多芬搬到了阿秋家，和這對(duì)小夫妻湊成一個(gè)笑料百出的三人世界?！　￡愞k不堪其擾，將二人調(diào)到素有“鯊魚(yú)田”之稱(chēng)的田警司（田俊 飾）麾下，兩人被好好整了一番，苦不堪言。另一方面，陳辦在執(zhí)行任務(wù)時(shí)被多年前的宿敵飛天蠄蟧（林正英 飾）陷害。貝多芬和阿秋深知老上司被冤枉，于是明察暗訪，發(fā)誓揪出幕后真兇……

毛骨悚然撞鬼經(jīng) 15周年特別篇

　　S銅山的女人：失意的保險(xiǎn)公司業(yè)務(wù)員山邊夏美（石原里美 飾）和同僚桑原（小池徹平 飾）在歸途中誤入被封閉多年的S銅礦山，由此遭遇了一連串恐怖的詭異事件；小智：被情感困擾的女孩里奈（剛力彩芽 飾）按照都市傳說(shuō)給自己的手機(jī)打了電話，并連念三遍“小智”，希望解開(kāi)心中疑惑，誰(shuí)知此后卻被小智纏上；兇手是誰(shuí)：看似陰沉的派遣職員熊谷（北乃紀(jì)伊 飾）自稱(chēng)能夠看到別人看不到的真相，她的上司三澤健太（草剪剛 飾）起初并不相信，但接連的事實(shí)讓他大為震驚；誘惑的森林：小葵（島崎遙香 飾）和朋友結(jié)菜（廣瀨愛(ài)麗絲 飾）去山里游玩，山中一間老舊的廁所卻帶給她們最恐怖的回憶；把手給我：勤奮的OL瀧本理沙（桐谷美玲 飾）不知何時(shí)與同學(xué)兼同事的好友雅美（菜菜緒 飾）關(guān)系變差，壓力巨大的她發(fā)現(xiàn)每晚都有一只手緊緊抓住她的胳膊；出租車(chē)司機(jī)的自述：老實(shí)的出租車(chē)司機(jī)中川（坂上忍 飾）在晚上載了一位要去很遠(yuǎn)地方的女客人，但是這位客人竟是如此沉默；黑暗中的視覺(jué)：人過(guò)中年的森川千尋（黑木瞳 飾）在一家工廠找到工作，擁有天眼的她看到了許多的鬼魂。

燭影危林

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

我的生命之光

　　影片故事講述一名父親傾盡所有去保護(hù)自己的女兒。