劇情縱覽
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AV??暫無內(nèi)容‘??’?暫無內(nèi)容?????!
莫琳·達(dá)巴格是一位母親,當(dāng)她的前夫綁架了他們的小女兒阿米娜并消失在中東時(shí),她的世界崩潰了。絕望而無情的莫琳與羅伯森合作,羅伯森是一名經(jīng)驗(yàn)豐富的前海軍陸戰(zhàn)隊(duì)員,也是兒童綁架案件的專家。這部電影以貝魯特動(dòng)蕩的背景為背景,講述了莫琳和羅伯遜陷入一個(gè)充滿國(guó)際間諜、腐敗和背叛的陰暗世界。隨著時(shí)間的流逝,風(fēng)險(xiǎn)高得不可思議,莫琳必須在與時(shí)間的賽跑中面對(duì)不可能的選擇。本片是一段緊張而感性的旅程,探索了一位母親為拯救孩子所做的努力,即使她在每個(gè)轉(zhuǎn)折點(diǎn)都面臨著隱藏的危險(xiǎn)。
四名劇場(chǎng)演員在倫敦排練即將在西區(qū)上演的復(fù)仇舞臺(tái)劇時(shí),隨著彼此之間的秘密戀情逐漸曝光,參雜著才華嫉妒與愛恨糾葛。在一連串的陰謀與反擊中,原以為的盟友,竟私下已與旁人聯(lián)手陷害自己,這場(chǎng)角力最終將演變成致命的殺機(jī)。
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
Upon arrival to Venus, cosmonauts find furious volcanoes and sundry prehistoric beasts in Klushantev's film, based on a novel by the Soviet sci-fi writer Aleksandr Kazantsev. Footage has been recycled in three Corman productions: Voyage to the Prehistoric Planet, Queen of Blood, and Voyage to the Planet of Prehistoric Women (the directorial debut of Peter Bogdanovich). 83min