女教師日記3 隱藏的性 女教師日記3 秘められぢ (1997)

? 6.2 播放：66萬 2026-04-25
主演：大竹一重 

私立風(fēng)間高中2年B班的級(jí)任老師永瀨聰子（大竹一重 飾）雖然美麗，卻內(nèi)向保守。她鮮少和同事們交流，在學(xué)生面前似乎也逆來順受，完全沒有個(gè)性。偏偏班內(nèi)的學(xué)生日向政明（齊藤陽一郎 飾）是個(gè)無心學(xué)業(yè)、喜好尋釁滋事的不良少年。他尤其喜歡欺負(fù)聰子老師，經(jīng)常用言語挑逗羞辱。聰子雖然不勝 其擾，卻也漸漸喜歡上這個(gè)與眾不同的男孩。夜晚，聰子和日向化名麗莎和洛克，在網(wǎng)上的虛擬聊天室互訴衷情。只是日向完全不知道麗莎的身份，甚至還把她幻想成同班那位品學(xué)兼優(yōu)的美麗女孩遠(yuǎn)子（中野若葉 飾）。日向渴望與麗莎見上一面，而聰子卻遲遲未能邁出那一步…… 本片為女教師日記系列的第三部。

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劇情提要

私立風(fēng)間高中2年B班的級(jí)任老師永瀨聰子（大竹一重 飾）雖然美麗，卻內(nèi)向保守。她鮮少和同事們交流，在學(xué)生面前似乎也逆來順受，完全沒有個(gè)性。偏偏班內(nèi)的學(xué)生日向政明（齊藤陽一郎 飾）是個(gè)無心學(xué)業(yè)、喜好尋釁滋事的不良少年。他尤其喜歡欺負(fù)聰子老師，經(jīng)常用言語挑逗羞辱。聰子雖然不勝 其擾，卻也漸漸喜歡上這個(gè)與眾不同的男孩。夜晚，聰子和日向化名麗莎和洛克，在網(wǎng)上的虛擬聊天室互訴衷情。只是日向完全不知道麗莎的身份，甚至還把她幻想成同班那位品學(xué)兼優(yōu)的美麗女孩遠(yuǎn)子（中野若葉 飾）。日向渴望與麗莎見上一面，而聰子卻遲遲未能邁出那一步…… 本片為女教師日記系列的第三部。

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

告別武器

 亨利（加里·庫柏 Gary Cooper 飾）是一位熱血沸騰的青年，戰(zhàn)爭(zhēng)爆發(fā)了，他自愿前往意大利，成為了一名救護(hù)車駕駛員。在意大利，亨利結(jié)識(shí)了名為凱瑟琳（海倫·海絲 Helen Hayes 飾）的美麗護(hù)士，之后，亨利因?yàn)槭軅凰瓦M(jìn)了米蘭醫(yī)院，在那里，他和凱瑟琳重逢了。住院期間，亨利和凱瑟琳墜入了情網(wǎng)，凱瑟琳的腹中亦懷上了亨利的骨肉。傷愈之后，亨利回到了戰(zhàn)場(chǎng)，卻發(fā)現(xiàn)我軍的士氣大跌，處處彌漫著慘淡的氣氛。上司開始大量處決涉嫌逃跑的士兵，亨利亦難以幸免，他僥幸逃脫了自己人的槍子，他決定找到凱瑟琳，兩人逃離戰(zhàn)場(chǎng)，去過他們與世無爭(zhēng)的日子。然而，意大利警察的追捕緊隨其后，兩人踏上了逃亡的旅途。