新三狼之歡場屠夫
錢佳準、程基宏、楊知勵來自破裂家庭,因而對破壞幸福家庭的歡場釹子十分痛恨,決定對她們進行報復。三人分工合作,引獵物上鉤,然后將她們奸殺。杏妍因為夫還債而淪落風塵,不幸成為三狼獵物,她在快遭毒手時致電兒子道別,將三狼感動,將她釋放。杏妍脫險后報警,三狼被繩之以法。 1997年三名被稱為新三狼的年青侽子,弄死了三名xing工作者,三人分別被棄尸長洲、城門水塘以及往長洲渡輪的航道上。新三狼極為兇殘,祂們先扮得楚楚可憐,接近三名xing工作者,并誘騙祂們到長洲渡假屋及其寓所,接著便露出狐貍尾巴,侵犯虐殺釹死者,并強奪祂們的存款。一名虎口餘生的xing工作者因為看到電視上播放的廣告,挑起她對自己兒子的思念;亦是這點母噯,令到三名自小缺乏家庭溫暖的亡命之徒動了惻隱之心,放過這名釹士。后來警方由這名xing工作者提供的資料,將新三狼繩之以法,其鈡二人被判終身監(jiān)禁,一人被判囚十二年!
影片推薦
廢世界
我是臥底2026
鄒兆龍,于榮光,李彥奎,王韜,文東俊,張沙沙,王鉑清牛排
埃里克·朱多爾,朗齊·貝迪亞,喬納森·朗貝爾,Vincent Belorgey,Sebastian Akchoté,Laurent Nicolas,Sébastien Tellier,Alain Gendreau,Mark Latrémouille,Marie-Claude Michaud,雨果林·什維特·蘭黛斯科,Caroline Bernard,Steve Barry動物本能
古勒莫·法蘭塞拉,卡拉·彼德森,Gloria Carrá,馬塞洛·索比奧托跨國銀行
克里夫·歐文,娜奧米·沃茨,阿明·繆勒-斯塔爾,烏爾里奇·湯姆森,布萊恩·F·奧博恩正人君子2024
崔貞允,許伊在,安喜延,安世珉同類精選
亭亭鳳凰臺
張秋歌,陳友旺,董濤,王瀚邦,周顯欣,梁琛,王曦瑤那一晚,我知道你做了什么
王婷,王昭,張喜來,李小胖,袁琳蘭,李星辰危境交戰(zhàn)
艾米·博特斯,普登絲·布特萊齊,法拉伊·奇古杜航越地平線
妮可·基德曼,山姆·尼爾,比利·贊恩玩具熊的五夜后宮:紫色的淚
Bomber Hurley Smith上海快車
瑪琳·黛德麗,克里夫·布洛克,黃柳霜,華納·歐蘭德,尤金·佩里特,勞倫斯·格蘭特,Louise Closser Hale,古斯塔夫·馮·賽費蒂茨,埃米爾·肖塔爾,George Blagoi,李奧納多·凱瑞,George Chung,Wong Chung,Jack Deery,赫伯特·埃文斯,馮威利,福里斯特·哈維,Claude King,James B. Leong,Miki Morita,黃自強影視排行
劫車
Ron Perlman,Saffron Burrows一部更加刺激的驚悚片,今年隆重上映" 兩次金球獎提名,《頭號疑犯》的瑪利亞·貝羅擔任主演羅琳:一位飽受壓力的單身母親,受到前夫虐待的困擾,辛苦撫養(yǎng)8歲的兒子.她和兒子的世界被銀行搶劫(斯蒂芬·多爾夫飾演伊莫托斯)在逃犯劫車以后瞬間被改變,他想重新得到自己的戰(zhàn)利品.但是羅琳拒絕成為他的受害者.她準備控制然后反擊.今夜,她為了生存做的事情,即將引領最讓人震驚的犯罪.喬安娜·卡西迪(《六尺風云》)與凱瑟琳·丹特(《盾牌》)聯(lián)袂出演這部緊張的動作驚悚片
寵寵特快
當一列火車意外開動時,只帶著寵物,他們發(fā)現(xiàn)漢斯,一只好惡的獾,是這一切的幕后黑手。雖然墜機似乎不可避免,但動物們可以依靠獵鷹,一只狡猾的浣熊,他會盡一切努力拯救它們。
猩球崛起3:終極之戰(zhàn)
安迪·瑟金斯,伍迪·哈里森,斯蒂夫·扎恩,卡琳·考諾娃,阿米爾·米勒,泰瑞·諾塔里,泰·奧爾森,邁克爾·亞當思韋特,托比·凱貝爾,加布里埃爾·查瓦里亞,朱迪·格雷爾,莎拉·坎寧,德文·達爾頓,阿萊克斯·潘諾維奇,亞歷桑德羅·朱利安尼,馬克斯·洛伊德-瓊斯,蒂莫西·韋伯凱撒(安迪·瑟金斯 飾)領導的猿族將被迫與殘暴的Colonel(伍迪·哈里森 飾)領導的人類軍隊上演一場生死大戰(zhàn)。猿族在戰(zhàn)斗中遭遇了前所未有的重創(chuàng),由此激發(fā)了凱撒內心中黑暗的一面,心中燃起復仇的烈火。最終,凱撒與Colonel面對面進行了一場關乎猿族和人類命運的終極之戰(zhàn)。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster