即刻觀影
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多諾萬(wàn)的腦袋
劉·艾爾斯,吉恩·埃文斯,南茜·戴維斯,斯蒂夫·布羅狄一個(gè)誠(chéng)實(shí)的科學(xué)家把死去的百萬(wàn)富翁(多諾萬(wàn)飾)的大腦保存在水箱里。多諾萬(wàn)成功地把他強(qiáng)大的意志強(qiáng)加給這位科學(xué)家，并利用他來(lái)謀殺他的敵人。
月影殺痕
波伊德·霍布魯克,克利歐佩特拉·科爾曼,博基姆·伍德拜因,邁克爾·C·豪爾,魯?shù)稀み_(dá)馬林加姆,Al Maini,Quincy Kirkwood,莎拉·杜格代爾,瑞秋·凱勒,Ryan Allen,托尼·納波,Philippa Domville,托尼·克雷格,加布里埃爾·格雷厄姆,Julia Knope,默里·弗羅,大衛(wèi)·麥金尼斯,德?tīng)柗颇取斎麪?胡安·卡洛斯·韋利斯,泰德·麥克馬洪,愛(ài)德華·倫德?tīng)?妮卡·埃利奧特1988 年，心懷偵探夢(mèng)想的費(fèi)城警官托馬斯·洛克哈特（波伊德·霍布魯克飾演）開(kāi)始追蹤一名連環(huán)殺手，此人每隔 9 年就神秘地出現(xiàn)一次。但是當(dāng)殺手的罪行開(kāi)始違背所有的科學(xué)解釋時(shí)，洛克對(duì)真相的癡迷可能會(huì)毀掉他的事業(yè)、家庭，甚至是他的心智。《月影殺痕》是一部混合題材的心理驚悚片，探討了時(shí)間的力量，以及時(shí)間的流逝如何使我們相聚又分開(kāi)。該片由吉姆·米可執(zhí)導(dǎo)，其他主演包括邁克爾·C·豪爾和克利歐佩特拉·科爾曼。
太空生活
羅伯特·帕丁森,朱麗葉·比諾什,安德雷·本杰明,米婭·高斯,阿加塔·布澤克,拉斯·艾丁格,克萊爾·陳,伊萬(wàn)·米切爾,格洛里亞·奧比安約,斯嘉麗·林賽,杰西·羅斯,維克多·班納杰,Juliette Picollot,Mikolaj Gruss,Weronika Wachowska在一艘飛往黑洞的宇宙飛船上，一群被判死刑的罪犯被賦予太空英雄般的使命，去為地球?qū)ふ姨娲茉础Ｇ舴钢g的性活動(dòng)被嚴(yán)格禁止，只能通過(guò)飛船上的"盒子"裝置來(lái)緩解生理沖動(dòng)。其中，Dibs博士(朱麗葉·比諾什 飾)將每個(gè)囚犯當(dāng)作實(shí)驗(yàn)動(dòng)物對(duì)待，并瘋狂致力于通過(guò)人工授精來(lái)制造嬰兒，然而這些實(shí)驗(yàn)卻一直沒(méi)有成功，直到她偷偷取得奉行禁欲生活的Monte(羅伯特·帕丁森 飾)的精液...
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
限時(shí)營(yíng)救2025
凱特·貝金賽爾,劉易斯·陳,艾麗絲·克里奇,湯姆·班尼特,貝利·帕特里克,拉斯穆斯·哈迪克,馬特·威利斯,Roxy StriarFollows an ex-black ops team that reunites to pull off a desperate heist and save the life of an eight-year-old girl.
死在那年夏天
吉拉育·拉翁馬尼,Suthatta Udomsilp,????????? ???????????,??? ???????????????,???????? ???????????喬伊是學(xué)校里公認(rèn)的?；?，她擁有著美麗的面孔和優(yōu)越的身世，毫無(wú)疑問(wèn)每日生活在幸福之中。然而某一日，這位集萬(wàn)千寵愛(ài)于一身的可愛(ài)姑娘卻在社交網(wǎng)絡(luò)上留下了“我想死”的絕望信息。阿信是喬伊的男友，兩人之間感情十分要好，看到女友悶悶不樂(lè)的樣子，阿信決定同好友阿敢一起，帶著喬伊和她的閨蜜小敏前往海邊度假?！ ”娙吮疽詾椋@會(huì)是一場(chǎng)充滿了瘋狂和歡樂(lè)的旅程，然而，喬伊的慘死卻為這場(chǎng)派對(duì)蒙上了驚悚恐怖的陰影。余下的三人受到了不小的驚嚇，他們決定隱瞞整個(gè)死亡事件，希望生活能夠就此回歸平靜。不過(guò)顯現(xiàn)，喬伊的冤魂并不愿意放過(guò)他們。