繼母與女兒的藍(lán)調(diào)

評(píng)分：6.1 播放：27萬(wàn) 更新：2026-04-26

這次原創(chuàng)故事的時(shí)間線定在前作結(jié)局后的一年，因此在前作中因病去世的亞希子丈夫、竹野內(nèi)豐飾演的宮本良一也將再次出現(xiàn)。亞希子再就業(yè)的一年后，時(shí)間是2019年的秋天，亞希子在大阪，美雪在東京，兩人分居兩地。亞希子在大型咨詢公司中依然精明強(qiáng)干，表現(xiàn)出色，絲毫看不出有10年的空窗期。而成為大學(xué)生的美雪仍舊是惹人喜愛(ài)、我行我素。她的每天都在社團(tuán)或是打工中度過(guò)，十分充實(shí)。另外，美雪和發(fā)小大樹(shù)(井之脅海)的關(guān)系依舊是老樣子。然而某天，亞希子突然回到東京，久違地來(lái)到了美雪住的公寓，宣稱自己被公司炒了魷魚(yú)。沒(méi)想到的是，亞希子在美雪家中碰見(jiàn)了美雪的老板，Bakery麥田的店長(zhǎng)(佐藤健)。他只圍著一條浴巾，剛從浴室走出來(lái)。更讓人吃驚的是，麥田懷里還抱著一個(gè)嬰兒。就在此時(shí)美雪也回來(lái)了。莫非這個(gè)嬰兒是美雪和麥田的孩子!暫無(wú)內(nèi)容?完全摸不著頭腦的亞希子陷入了混亂，大喊道:“這到底是怎么一...

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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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五個(gè)狗主人帶著他們淘氣的狗狗向山中的傳奇老師尋求幫助——但需要接受訓(xùn)練的并不是他們毛茸茸的朋友。

鼠膽威龍

張子棟,徐巾淇,趙雷棋,武文佳,強(qiáng)巴才丹,劉佩琦,李奎,張慶慶,鞏小榕

　　夢(mèng)想成為一名“神探”的面館兒小老板林勝利，意外卷入一起“謀殺騙?！钡年幹\中，善良正義的他利用多年自學(xué)的推理知識(shí)及縝密的邏輯思維能力，攜手律師朱敏一起抽絲剝繭，避免了悲劇發(fā)生，最終將壞人繩之以法。