劇情縱覽
唐代，洛陽才子張君瑞(王書麒)赴京考試途鈡，于普救寺偶遇相國仟金鶯鶯(村川仟里)，驚為天人。君瑞欲展開追求之際碰巧shan賊圍攻普救寺，搶奪鶯鶯為押寨夫人。相國夫人留丅諾言，誰能解困便將鶯鶯給配之。君瑞得義兄白馬將軍協(xié)助抗敵，終殺退shan賊，并深深打動了鶯鶯芳心。相國夫人悔婚，君瑞大受打擊一病不起，鶯鶯在深閨長嗟短嘆，紅娘(姜加玲)見狀于心不忍，冒險暗鈡穿針引線，令一對癡侽怨釹約會偷情於西廂
在線暢看
臻選佳作
秘密會議
拉爾夫·費因斯,斯坦利·圖齊,約翰·利思戈,盧西安·姆瑟馬蒂,賽爾喬·卡斯特利托,伊莎貝拉·羅西里尼,布萊恩·F·奧博恩,卡洛斯·迪赫茲,梅拉布·尼尼澤,托馬斯·洛伊布爾,亞采克·科曼,布魯諾·諾維利,羅尼·克拉默,瓦萊里奧·達·席爾瓦,約瑟夫·邁德爾,文森佐·法伊拉,加里克·哈根,馬達夫·夏爾馬,洛里斯·洛迪,羅伯托·西特蘭
紅衣主教勞倫斯（拉爾夫·費因斯 Ralph Fiennes 飾）要負責世界上最秘密、最古老的活動：選擇新的教皇。而他發(fā)現(xiàn)自己處在一起陰謀的正中心，可能撼動教會最深的根基。
魔鬼蜘蛛男
藤田進,岡譲司,舟橋元,松下猛夫,風間繁美,八島恵子,宮城千賀子
《蜘蛛男》是“江戶川亂步作品集”第七卷。故事開頭，怪紳士稻桓租下了一間事務所，把它重新裝修成美術藝品店。第二天開業(yè)時聘用了一名十八歲的美少女，但當天晚上就奸殺了這名少女。接下來的幾天內報紙社會版頭條陸續(xù)刊登了“碎尸案”、“美人魚案”。民間犯罪學者畔柳博士接手此案，在與藍胡子稻桓正面交鋒的過程中屢屢敗下陣來，直到環(huán)游歸來的明智加入偵破陣營……，故事從讀者預測不到的角度展開，是一部名探與殺人狂的斗智故事。
判妖邪
韓棟,趙黛溪,都桂宇,劉旭,宋海頡
殘?zhí)苼y世，瘟疫橫行，傳言妖女吳雙化為邪祟禍害人間。然而，吳雙的哥哥不良人吳令，從不相信自己善良的妹妹會是所謂妖女，他決心以縫尸還魂的秘術，復活被斬首的妹妹，在暗影涌動的瘟神廟中，設下詭局，審判真正的惡人，求一份清白與公道。 影片根據(jù)短篇小說《古廟夜譚》改編。
公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,Manika
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.