猴子再見(jiàn)

★ 2.3 播放：38萬(wàn) 更新：2026-04-26

這是一個(gè)現(xiàn)代寓言。法國(guó)青年拉法耶特與意大利中年男子諾查羅徘徊在紐約。拉法耶特在弗萊克曼看管的一間"羅馬博物館"工作，并在一所"婦女覺(jué)醒劇團(tuán)"兼職。有一天，他遭到了劇團(tuán)的一個(gè)女人的強(qiáng)奸，而他和諾查羅的住處竟遍地是老鼠的廢墟。隨后，他又收養(yǎng)了一個(gè)人猿的幼嬰。在撫養(yǎng)幼嬰的過(guò)程中，諾查羅不小心填錯(cuò)了資料，讓小人猿變成了名正言順的紐約公民。諾查羅卻自殺身亡，將財(cái)物遺贈(zèng)給人猿。后來(lái)，法拉耶特赫然發(fā)現(xiàn)人猿慘遭眾鼠的吞噬。當(dāng)初強(qiáng)奸他的女人成了他的女友。弗萊克曼一向不喜歡猴子，一怒之下，放火燒毀了博物館和拉法耶特……

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這是一個(gè)現(xiàn)代寓言。法國(guó)青年拉法耶特與意大利中年男子諾查羅徘徊在紐約。拉法耶特在弗萊克曼看管的一間"羅馬博物館"工作，并在一所"婦女覺(jué)醒劇團(tuán)"兼職。有一天，他遭到了劇團(tuán)的一個(gè)女人的強(qiáng)奸，而他和諾查羅的住處竟遍地是老鼠的廢墟。隨后，他又收養(yǎng)了一個(gè)人猿的幼嬰。在撫養(yǎng)幼嬰的過(guò)程中，諾查羅不小心填錯(cuò)了資料，讓小人猿變成了名正言順的紐約公民。諾查羅卻自殺身亡，將財(cái)物遺贈(zèng)給人猿。后來(lái)，法拉耶特赫然發(fā)現(xiàn)人猿慘遭眾鼠的吞噬。當(dāng)初強(qiáng)奸他的女人成了他的女友。弗萊克曼一向不喜歡猴子，一怒之下，放火燒毀了博物館和拉法耶特……

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達(dá)科塔·約翰遜,阿德里婭·阿霍納,凱爾·馬文,邁克爾·安蓋洛·科維諾,西蒙·韋伯斯特,查理·吉爾萊斯皮爾,大衛(wèi)·卡斯塔尼達(dá),O·T·法格本,娜赫瑪·里琪,蒂龍·本斯金,尼可拉斯·博朗,萊奧·亨尼利,羅賓·吉倫,利蒂希婭·布魯克斯,泰勒·豪爾,艾米麗·歐康納,盧克·麥克菲爾,讓-克勞德·莫萊斯,賈·旁,杰西卡·馬圖琳,斯蒂芬·阿德科魯,尼古拉斯·波舍爾

無(wú)跡之人

喬恩·沃伊特,Adam Woodward,馬爾頓·索克斯,夏洛特·維嘉

沖動(dòng)2023

瑪麗亞·露可安諾娃,杰拉·奇塔瓦,Daro Akimidze,Koba Akimidze,Aleksandr Cherednik,Christina Chernyavskaya,Anna Grigoryeva,Ivan Ivashov,Dmitry Khalileyev,Issa Khasatsov,斯塔亞·科莫里基-格蘭科夫斯卡亞,Dmitry Khromyh,Islam Kurukov,克塞妮婭·庫(kù)捷波娃,Albert Misirov,Anna Mustina,Nikolay Orlovskiy,卡里

皮皮魯和魯西西之309暗室

黃爽,劉蕊,李昕

圍困4

尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫(kù)洛娃,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈?duì)柊屯蟹?謝爾蓋·哈欽科,Roman Gromadsky,Aleksei Presnetsov,米哈伊爾·烏里揚(yáng)諾夫,丹尼爾·薩加爾,Stanislav Fesyunov,Vladimir Voronov,列夫·佐洛圖欣,Igor Komarov,Gerbert Dmitriev,German Khovanov,Oleg Khromenkov,Rudolf Chelishchev,Vladimir

溫德?tīng)柡蛻褷柕?/h3>科甘-邁克爾·凱,喬丹·皮爾,利麗克·羅斯,安吉拉·貝塞特,吳漢章,文·瑞姆斯,雷蒙娜·楊,娜塔麗·馬丁內(nèi)斯,坦圖·卡丁諾,艾格爾·納爾,加布里埃爾·丹尼斯,大衛(wèi)·哈雷伍德,瑪克辛·皮克,Sam Zelaya,Seema Virdi,Michele Mariana,Gary Gatewood,Tamara Smart

導(dǎo)演精選

武器之刀光劍影

大革族四大勇士之元泰、勇士昆布倒戈賣國(guó)投降，元泰引西暌族和南離皇族聯(lián)軍攻革，大革族族皇自殺身亡！蔡八兒提著七孔刀逃亡，在山林里救了被狼群養(yǎng)大的小男孩，蔡八兒為小男孩取名祖澈，蔡八兒和祖澈隱居十五年后，祖澈長(zhǎng)練得一手好刀法，光復(fù)大革國(guó)。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

人蛇大戰(zhàn)2022

　　因?yàn)槿藶榈倪^(guò)度開(kāi)采，工業(yè)廢料的隨意丟棄，導(dǎo)致美麗海島生態(tài)被破壞，變異怪物巨蛇攻擊人類。主人公陳朗靠著自己的勇氣帶領(lǐng)眾人逃生并犧牲性命保護(hù)家人。通過(guò)故事向人們發(fā)出了保護(hù)生態(tài)環(huán)境的預(yù)警，同時(shí)宣揚(yáng)了團(tuán)結(jié)、守護(hù)和愛(ài)的人性光輝。