劇情縱覽
在一個比利時海岸營地,市民都希望完全自由地生活,忘記生活的義務。他們遠道而來,一部分人甚至想有一些性冒險或觸及愛的事情。他們大都喜歡看足球、拳擊或選美比賽,而對著名作家皮埃爾 梅爾坦的采訪不感興趣......
在一個比利時海岸營地,市民都希望完全自由地生活,忘記生活的義務。他們遠道而來,一部分人甚至想有一些性冒險或觸及愛的事情。他們大都喜歡看足球、拳擊或選美比賽,而對著名作家皮埃爾 梅爾坦的采訪不感興趣......
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
在一個家族傳承的塔格特鐵路公司,現(xiàn)任總裁為家族長子詹姆斯·塔格特,副總裁是達格妮·塔格特,兄妹倆為挽救公司岌岌可危的營運,想法與方法可說是南轅北轍,一位只是口頭囔囔一些沒有經(jīng)過詳細評估的墨西哥——圣賽巴斯蒂安支線的投資,卻沒有提出一絲一毫的規(guī)劃與執(zhí)行方案,常常以見不得別人成功的酸葡萄心態(tài)看待事情與詆毀他人;另一位是以“我是像一個餓瘋了一樣,去找任何一個能把事情做好的人!”為挽救塔格特鐵路公司,與愛迪·威勒斯孜孜矻矻、焚膏繼晷的努力工作,為順利完成里約諾特的鐵路支線,找上里爾登鋼鐵的漢克·里爾登合作,采用里爾登剛發(fā)明的新合金當鐵軌,沒想到成功營造出里約諾特的鐵路支線,卻是另一個不幸的開端?! ∧缓笾谱鳌 栋⑻乩孤柭柤纭肥巧鲜兰o美國著名哲學家、小說家安·蘭德的代表巨著,這位俄裔美籍小說家推崇理性,認為人的最高美德便是理性。她不顧傳統(tǒng)輿論的偏見,力倡個人主義,認為不能使個人利益得到最大伸張的社會,就不是理想社會。她的客觀主義哲學自上世紀50年代起便風靡美國校園,影響了幾代美國人,她本人也成為美國青年崇拜的偶像?! 栋⑻乩孤柭柤纭肥撬钪囊槐拘≌f,曾在美國社會產(chǎn)生巨大影響。書中宣揚金錢至上的思想,探討了理性利己主義的道德性。1957年剛剛出版曾遭遇社會惡評,但卻異常暢銷,在美國的銷售量僅次于《圣經(jīng)》,并影響了當時社會的很多知識分子,甚至成為美國學生必讀的課外書籍。
胖女孩欲桓是一個胖胖圓圓能吃能玩的女孩,不同于別的胖女孩,她敢于面對生活,即使不受男生喜歡,也能玩的很嗨。有一天奇跡發(fā)生在了她的身上,她穿越回了唐朝,在這里她遇到了對她萬分疼愛的壽王李瑁。欲桓在現(xiàn)代從來沒有一個人跟他表白,在這里她第一次感受到了愛情的存在,于是成為了壽王妃,開元二十五年武惠妃逝世,壽王壽王妃二人前去拜見唐玄宗,唐玄宗悲痛欲絕,看到欲桓后感覺自己夢中女子出現(xiàn)在了自己眼前,眼神透出淡淡的愛意,心里想要的就是欲桓,可欲桓現(xiàn)在是自己兒子的妃子,該如何去爭去奪,旁邊的董貴妃把這一切看在眼里,一心想成為皇后的她會去怎么做,一場劇烈的奪桓之戰(zhàn)正式拉開。
A rogue police detective in search of his parents killer is murdered and reborn the ultimate killer.