女體調(diào)教人2

姽婳

　　知名畫家創(chuàng)作的最后一幅作品“惡靈畫像”后離奇死亡了，女設(shè)計師張琳和同伴早就聽說過“惡靈畫像”具有詛咒的傳說----見者必死。強烈的獵奇心理驅(qū)使貌美性感的張琳走向了尋找“惡靈畫像”的路上，在尋找的過程中不斷遭遇了一系列靈異、詭異事件……身邊同伴不斷失蹤、離奇死亡...... 張琳是否能在探秘的過程中活下來… 是否能夠找到“惡靈畫像”. 真相逐步揭開。

會長的貼身?；?/h3>馮芷墨,熊蘇藝

　　單均銘為了保護母親一手創(chuàng)辦的成人皇家藝術(shù)學(xué)院不被拆遷建成商業(yè)街，收購了學(xué)校。準備對學(xué)校進行維護加建，卻遭到了誤以為他要拆學(xué)校的顧婉婉的強烈阻攔。單均銘為了不讓顧婉婉影響他對學(xué)校的改造進度，強行將顧婉婉留在身邊，讓她沒時間搗亂。 兩人卻在相處的過程中互相吸引，單均銘發(fā)現(xiàn)自己愛上了顧婉婉，準備向顧婉婉告白。 告白前夕，單均銘意外發(fā)現(xiàn)了顧婉婉就是五年前那個戲弄了他的感情，還間接害他聽力受損，不得不放棄學(xué)習(xí)音樂的人。單均銘決定報復(fù)顧婉婉。 直到顧婉婉傷心離開，單均銘才發(fā)現(xiàn)不管是五年前還是五年后，一切的事情，都是莊美言的設(shè)計，他誤會了顧婉婉。單均銘恍然大悟，最終找回了顧婉婉。

諾查丹瑪斯滅亡錄?基因的新世紀

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.