迷情司機(jī)

評(píng)分：0.5 播放：69萬 更新：2026-04-27

少女因父母離異獨(dú)自在家,某日遭司機(jī)酒后強(qiáng)暴,隔日卻又獲知因飛機(jī)失事身亡,傷心不已.少女接下其父事業(yè)發(fā)現(xiàn)經(jīng)理勾搭少女在外之姊姊共謀家產(chǎn),幸得司機(jī)相助化解困境,但司機(jī)決定離開,她失望之余卻求他......

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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

浴血黑幫電影版

基里安·墨菲,麗貝卡·弗格森,蒂姆·羅斯,蘇菲·蘭朵,奈德·丹內(nèi)利,派克·李,伊恩·佩克,杰伊·利庫戈,巴里·基奧恩,斯蒂芬·格拉漢姆,薩米·喬納斯·希尼,魯比·阿什伯恩·瑟金斯,山姆·貝克-瓊斯,卡斯珀·希爾頓-希勒,馬丁·安格鮑爾,馬克·威爾金森,托馬斯·阿諾德,安迪·M·米利根,羅利·威爾遜,馬克斯·凱文漢姆

 1940年的伯明翰，在第二次世界大戰(zhàn)的混亂中，湯米·謝爾比（基里安·墨菲 飾）從自我放逐中回歸，直面著迄今為止最具破壞性的清算。家族和國家的未來岌岌可危，湯米必須面對(duì)自己心中的惡魔，并選擇是直面它還是將其毀滅。

布偶秀50周年特別節(jié)目

塞斯·羅根,塞布麗娜·卡彭特,瑪婭·魯?shù)婪?馬特·沃格爾,大衛(wèi)·戈?duì)柶?邁克林·西提,比爾·巴雷塔,Peter Linz,史黛芬妮·迪亞布卓,埃里克·雅各布森,Elizabeth Stenmoen,泰勒·邦奇,David Rudman,Alice Dinnean,Bruce Lanoil,科琳·史密斯,James Murray,Haley Jenkins,Kevin Carlson,Artie Esposito

科米蛙、豬小姐以及其他迷人的伙伴們，重返最初的布偶劇院舞臺(tái)，帶來全新的音樂、搞笑短劇，以及一連串的后臺(tái)大亂斗。

入主客房

圭多·卡普里諾,卡米拉·菲利皮,愛德華多·佩謝,Romeo Pellegrini

　　The morning Stella decides to take her own life, a stranger knocks at her door claiming the guest room he booked for the night. Surprised but charmed by this man who seems to know her very well, Stella decides to let him in. But when Sandro, the man who broke Stella's heart, joins them at home, this odd situation turns immediately into chaos.