赤裸的美奈子

0.8 播放：40萬 更新：2026-04-24

Hadaka no Minako (2013)，十年前，擁有極不平凡人生經(jīng)歷的美奈子（中島知子 飾）帶著星音、美奈、來夢、妃翠、蓮蓮、乃愛琉等六個孩子離開小豆島，也結(jié)束了一段曾經(jīng)為世人所熟知的婚姻。轉(zhuǎn)眼十年過去，孩子們漸次長大，美奈則在一家養(yǎng)老院工作，日常里對孤獨(dú)老人們體貼備至。長大的孩子們各有各的煩惱，這不覺讓美奈想起自己的學(xué)生時代。15歲那年，美奈（階戶瑠李 飾）飽受狂暴父親的毆打，在學(xué)校受欺負(fù)的她后來成為一名不良少女，打架、抽煙、吸毒，無惡不作，最終遭到退學(xué)的處罰。好不容易結(jié)識的男性，又活脫脫是一個充滿獸性的人渣。小小年紀(jì)帶著接二連三出生的子女，美奈走過不平凡的人生。而今塵埃落定，這名背負(fù)著刺青的女子正和孩子們攜手前進(jìn)　

播放通道

詳細(xì)簡介

Hadaka no Minako (2013)，十年前，擁有極不平凡人生經(jīng)歷的美奈子（中島知子 飾）帶著星音、美奈、來夢、妃翠、蓮蓮、乃愛琉等六個孩子離開小豆島，也結(jié)束了一段曾經(jīng)為世人所熟知的婚姻。轉(zhuǎn)眼十年過去，孩子們漸次長大，美奈則在一家養(yǎng)老院工作，日常里對孤獨(dú)老人們體貼備至。長大的孩子們各有各的煩惱，這不覺讓美奈想起自己的學(xué)生時代。15歲那年，美奈（階戶瑠李 飾）飽受狂暴父親的毆打，在學(xué)校受欺負(fù)的她后來成為一名不良少女，打架、抽煙、吸毒，無惡不作，最終遭到退學(xué)的處罰。好不容易結(jié)識的男性，又活脫脫是一個充滿獸性的人渣。小小年紀(jì)帶著接二連三出生的子女，美奈走過不平凡的人生。而今塵埃落定，這名背負(fù)著刺青的女子正和孩子們攜手前進(jìn)　

同類推薦

不可饒恕1992

克林特·伊斯特伍德,吉恩·哈克曼,摩根·弗里曼,理查德·哈里斯,杰姆·沃爾福特,紹爾·魯賓內(nèi)克,弗蘭西絲·費(fèi)舍,安娜·萊文,大衛(wèi)·木西,羅伯·坎貝爾,安東尼·詹姆斯,塔拉·弗萊德里克,貝弗利·埃略特,莉薩·雷波-馬特爾,喬西·史密斯

　　堪薩斯的農(nóng)民威廉（克林特·伊斯特伍德 Clint Eastwood ）年輕時曾是出名的殺手和劫匪，然而當(dāng)遇上了克勞迪亞后，他的生活開始徹底改變。威廉和克勞迪亞結(jié)婚生子后，洗手不干，一家人過著幸福的生活。好景不長，克勞迪亞不久故去，威廉獨(dú)立帶著兩個孩子過著清貧寧靜的生活?！　∵@時，該地區(qū)發(fā)生了一起牛仔醉酒毆打妓女并將其毀容的惡性事件，壞蛋警長達(dá)格特（吉恩·哈克曼 Gene Hackman 飾）只將此事草草了結(jié)，兇手仍逍遙法外。當(dāng)?shù)丶伺娂娋桢X，要求懸紅1000美金請殺手來伸張正義。“思科菲爾德小子”找到威廉，要求合伙干這票買賣。為了給孩子們一個幸福富足的家庭，威廉終于答應(yīng)再次出山。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

偶像大師 百萬現(xiàn)場！ ～終將，立于中央～

桐谷蝶蝶,小巖井小鳥,諏訪彩花,山崎遙,田所梓,齊藤真知子,角元明日香,愛美,仁后真耶子,高橋智秋,中村源太

 在MILLIONSTARS的偶像們于定期公演中閃耀綻放之際，美也收到了一封"希望能一起熱鬧學(xué)園祭"的商談?wù)埱蟆Ｅc朋花、茉莉三人共同遇到的寄信人——高中二年級學(xué)生花，是美也的忠實(shí)粉絲，她一直憧憬著美也那種能以獨(dú)特步調(diào)克服困難的身姿。得知花正打算放棄組建樂隊(duì)的夢想后，美也主動提出要和她一起實(shí)現(xiàn)夢想。在共同追逐夢想的每一天里，推動兩人前進(jìn)的并非花所憧憬的美也——而是美也發(fā)自內(nèi)心的真實(shí)情感。

神來電

尼古洛·格維尼阿什維利,尼卡·貢加澤

　　年輕的貢嘎和他的表弟巴特在一個廢品場里意外發(fā)現(xiàn)了一個裝滿生銹十字架的手提箱。巴特靈機(jī)一動，決定將這些十字架改造成霓虹十字架，并逐戶向第比利斯的居民推銷。他們在城市郊區(qū)的漫游因此變成了一場尋找愛情與友情的冒險。

仇殺病房

千虎珍,柳海真,徐孝琳

　　在某臨近海濱的醫(yī)院內(nèi)，住著一個無依無靠的中年男子金珉昊（千浩振 飾）。由于左半邊身體失去知覺，加上腦神經(jīng)受損，因此他無時無刻不想了結(jié)這苦難的人生。這一日，醫(yī)院送來了另一位沒有任何親眷的病號，他的名字叫做樸尚樺（劉海鎮(zhèn) 飾），因腦部受損而失去了記憶，與金安排在同一個加護(hù)病房。樸的到來，激起金珉昊心中無限的波瀾。這兩個男人似乎曾有著無限的仇恨與瓜葛，致令金想盡各種辦法要置其于死地，而漸漸恢復(fù)記憶的樸也將同樣的仇恨傾瀉于金珉昊。　　與此同時，神秘的白醫(yī)生一反常態(tài)對兩個男人進(jìn)行特殊關(guān)護(hù)，并且用匪夷所思的治療方法幫助他們恢復(fù)健康。這一切的背后，似乎隱藏著更大的謎團(tuán)……