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作惡者
Melanie Liburd,Kiah McKirnan,Ireon Roach在她18歲生日那天，堅(jiān)強(qiáng)的女孩喬尼吃了一個(gè)由她的阿姨根據(jù)一個(gè)神奇的家庭食譜烤的蛋糕，并經(jīng)歷了一個(gè)徹底的變形。隨著幾個(gè)同學(xué)失蹤，一個(gè)血腥的成長(zhǎng)故事發(fā)生了。
七年很癢
劉青云,應(yīng)采兒,劉嘉玲,安志杰,蔣怡Golf Club經(jīng)理潘致文(劉青云飾)與老婆張美瑛(蔣怡飾)結(jié)婚將近七年，生活平淡、枯燥，雖然他渴望著過(guò)過(guò)“放蕩的新生活”，但是天性膽小，只敢說(shuō)不敢做，基本上是一個(gè)善良的小男人?！ ∵@一次美瑛要去外地旅行，潘致文覺(jué)得這是個(gè)大好機(jī)會(huì)，于是決定趁這個(gè)“婚姻大假”找尋一些刺激。撫慰自己強(qiáng)壓六年多的欲海?！ ∫雇碓赑UB中，致文就邂逅了冶艷少女趙靜(應(yīng)采兒飾)，令到他心癢難忍。正當(dāng)致文準(zhǔn)備向阿靜展開(kāi)攻勢(shì)的時(shí)候，卻在相處中了解到她原來(lái)身世相當(dāng)凄慘，放蕩的行為只是因?yàn)楣录诺哪娣?，致文憐憫之心大增，無(wú)奈中不得不放棄了占有的欲念。 而與此同時(shí)，致文又遇上了自己的初戀情人張采冰(劉嘉玲飾)，已經(jīng)成為事業(yè)女性的阿冰目前生活無(wú)憂，身邊男伴無(wú)數(shù)，并且和一個(gè)健身教練WIL(安志杰飾)關(guān)系曖昧。但是外表熱情似火的她對(duì)于致文依舊念念不忘，致文立刻與冰重燃了愛(ài)火，但同時(shí)也覺(jué)得對(duì)妻子心存愧疚。然而此時(shí)此刻家庭的危機(jī)也漸漸發(fā)生了出人意料的變化……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
致命玩笑2001
保羅·沃克,斯蒂夫·扎恩,莉莉·索博斯基,布萊恩·雷科內(nèi)爾,吉姆·比弗,特里·倫納德,格溫達(dá)·迪肯,休·達(dá)恩,杰伊·埃爾南德斯,沃爾頓·戈金斯,泰德·拉文,帕特里克·羅伯特·史密斯,Jessica Bowman,Stuart Stone,Basil Wallace,Mary Wickliffe,McKenzie Satterthwaite,Dell Yount,Kenneth White,Luis Cortés,Michael McCleery,Rachel Singer,John Maynard,蒂姆·暑假來(lái)臨，大學(xué)新生劉易斯·托馬斯（保羅·沃克爾 Paul Walker 飾）決定穿州過(guò)省，前往新澤西去看望他自高中時(shí)代便喜歡的女孩維娜·威爾柯斯（Leelee Sobieski 飾）。為了打發(fā)旅途上的無(wú)聊時(shí)光，他將正因酒后駕車蹲局子的老哥富勒（史蒂夫·贊恩 Steve Zahn 飾）保釋出來(lái)，兄弟倆一路通行?！ ÷猛局校焕召I了一部車載對(duì)講機(jī)，與其他的司機(jī)扯皮聊天。期間他們搭上一個(gè)綽號(hào)“銹釘”的卡車司機(jī)，富勒突發(fā)奇想，慫恿弟弟假扮女人用對(duì)講機(jī)勾引銹釘。對(duì)他們來(lái)說(shuō)，這似乎是旅途中一個(gè)無(wú)傷大雅、轉(zhuǎn)眼就忘的玩笑。沒(méi)想到他們卻惹上了這個(gè)難纏和恐怖的家伙。在接下來(lái)的時(shí)間里，銹釘成為劉易斯、富勒和維娜難以擺脫的噩夢(mèng)……
膚色
喬納森·塔克,杰克遜·羅伯特·斯科特,丹妮爾·麥克唐納,朗尼·查維斯,賈里德·戴,山姆·狄龍,邁克爾·維拉爾在美國(guó)小鎮(zhèn)一家超市的付款通道中，一個(gè)黑人對(duì)一個(gè)10歲白人小孩（JacksonRobert Scott飾）微笑，不曾想，這個(gè)善意的舉動(dòng)受到誤解，引發(fā)了幫派之間的對(duì)抗，并以驚人的結(jié)局收尾。