劇情縱覽
奈美是東京一家電視臺的新聞播報員，她清純靚麗，但有一次在女廁中遇見其上司跟她的同事鬼混后，這幅場景就在她的腦中揮之不去，時時出現(xiàn)。其實她的上司早已對她垂涎三尺，有一日他終于按捺不住對奈美有所企圖，并聯(lián)同曾經(jīng)跟他鬼混的女同事一起 。自始，巖井就愛上了這玩意，更勾引好友丈夫．．．
在線暢看
臻選佳作
行動倒數(shù)
凱爾西·周,芬·維特洛克,丹尼爾·弗朗西斯,迪倫·比姆,Skye Little Wing Dimov Saw
一位陷入哀痛的女子，前往偏遠的森林深處，希望在那找到慰藉。卻遇到了一位陌生人向她注射了一種麻痹劑。隨著麻痹劑逐漸侵蝕她的身體，她必須在全身神經(jīng)系統(tǒng)完全癱瘓前逃跑、躲藏并為生存而戰(zhàn)。
登帕卡農(nóng)
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???????????????????? ?????????????????????????? ??????????????????????????????????????????????????????????????? ???????????????????????????????? 10 ??????????????????????????????????????????????????? ????????????????????????????? ?????? ???????????????????????????????????????????????????? ??????????????????????????????????????????????????????????????????????????
連環(huán)殺手芬斯特
Amanda Evans,布里頓·韋伯,布賴恩·安東尼·威爾遜
A journalist who writes about a notorious serial killer, Finster, leaves the city for a more peaceful life but soon learns violence has no boundaries.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster