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兇兆1976
格利高里·派克,麗·萊米克,大衛(wèi)·沃納,比莉·懷特勞,哈維·史蒂芬斯,帕特里克·特羅,馬丁·本森,羅伯特·里耶蒂,湯米·杜根,約翰·斯特賴德,安東尼·尼科爾斯,霍利·帕蘭切,羅伊·博伊德,弗蕾達(dá)·道伊,希拉·雷諾紅色之州
邁克爾·帕克斯,梅麗莎·里奧,約翰·古德曼,邁克爾·安格拉諾,凱爾·加爾納殺戮游戲
皮爾森·福德,喬·阿德勒,勞拉·阿什利·塞繆斯,邁克爾·加蘭特,Mouzam Makkar,Sari Sanchez,Tommy Beardmore,Ryan Carr,Patricia Urbonas Clark,Brian Christensen,Jay Disney,Alicia Hilton,Justin Nesbitt,Debbi Burns,希拉里·安德森誤入魔爪
Jordyn Rudolph,Brad Bell,Ryan Rudolph入主客房
圭多·卡普里諾,卡米拉·菲利皮,愛德華多·佩謝,Romeo Pellegrini送葬人
道格拉斯·史密斯,盧錫安·拉維斯科特,克雷西達(dá)·博納斯,道格·瓊斯,邁克爾·特魯科,珍娜·凱內(nèi)爾,埃麗卡·特倫布萊,瑪麗莎·埃切維里亞,克利奧·金,費(fèi)·唐納薇,凱瑞-安·莫斯,雷·沃納爾,凱琳·伍黛爾,拉臘·諾克斯,喬納森·潘內(nèi)爾,尼古拉斯·薩德勒,瑪莎·哈克特,庫(kù)爾特·岳同類推薦
動(dòng)物僵尸
Ione Butler,安德魯·阿斯珀,La La Nestor,Kim Nielsen,Marcus Anderson,Brianna Joy Chomer,Ivan Djurovic,亞倫·格羅本,Kaiwi Lyman,William McMichael,Reuben Uy,Isaac Anderson,Tammy Klein,Cedric Jonathan,Joe Conti動(dòng)物園準(zhǔn)備開放,聘請(qǐng)一班實(shí)習(xí)生到訪實(shí)習(xí),沒(méi)想到一種神秘病毒在動(dòng)物園內(nèi)開始蔓延爆發(fā),全動(dòng)物園的動(dòng)物因而變成噬血活尸,成了真正的尸樂(lè)園,現(xiàn)在園區(qū)內(nèi)的幸存者除了得想辦法逃出生天外,還必須阻止這群饑腸轆轆的動(dòng)物活尸走出園區(qū)……
驚蟄無(wú)聲
易烊千璽,朱一龍,宋佳,雷佳音,楊冪,張譯,劉詩(shī)詩(shī),劉耀文,林博洋,潘斌龍,姚安娜,段奕宏,陳明昊,江奇霖,王圣迪,黃炎,飛凡你看不見的地方,諜戰(zhàn)從未停止交鋒!我國(guó)最新戰(zhàn)機(jī)的涉密信息外泄,國(guó)家安全面臨威脅,國(guó)安小組迅速行動(dòng)抓捕間諜,在信任與背叛的漩渦中,一場(chǎng)驚心博弈悄然上演……
喪尸特警
特里特·威廉斯,喬·皮斯科波,琳賽·福斯特,達(dá)倫·麥克加文,文森特·普萊斯,克萊爾·科克奈爾,陸錫麒,羅伯特·皮卡多,梅爾·斯圖爾特,田中徹,Martha Quinn,Ben Mittleman,Peter Kent,Cate Caplin,莫妮卡·里維斯兩位壯漢刑警在調(diào)查一起銀行劫案時(shí),發(fā)現(xiàn)犯罪分子居然個(gè)個(gè)刀槍不入。根據(jù)線索,他們找到一家公司,似乎最近的很多案件都和這家公司的一個(gè)秘密實(shí)驗(yàn)室有關(guān)。后來(lái),此兩位硬漢在與犯罪分子的斗爭(zhēng)中不幸相繼殉職,但這恰好給他們創(chuàng)造了機(jī)會(huì)——兩個(gè)人亦成為試驗(yàn)品,他們的尸體即將被一個(gè)懷揣著極大陰謀的邪惡博士所利用……然而,哼哼,英勇的人民公安是不會(huì)向犯罪集團(tuán)低頭的,you can't keep a good cop dead!
黑暗之中
娜塔莉·多默爾,艾米麗·拉塔科斯基,艾德·斯克林,喬莉·理查德森,詹姆斯·科茲莫,尼爾·馬斯克爾,安珀·安德森,揚(yáng)·貝弗特,貝恩·科拉科,萊克茜·本博-哈特,金·阿迪斯,丹尼爾·厄根,Chelsea O'Connor,雷納斯·拉特科夫斯基,奧萊加·費(fèi)多羅Vertical Entertainment取得娜塔莉·多默爾、艾德·斯克林主演影片[黑暗之中](In Darkness,暫譯)的北美發(fā)行權(quán),該片由安東尼·拜恩執(zhí)導(dǎo)。該片講述盲人女孩索菲亞(多默爾飾)偶然聽到樓上有打斗之聲。實(shí)際上樓上的維羅尼卡已遭人陷害。而索菲亞也無(wú)故卷入一場(chǎng)黑暗事件中。該片預(yù)計(jì)今年5月北美上映。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster