吾愛敦煌

★ 7.5 播放:04萬 更新:2026-04-24

影片記述了“敦煌女兒”,國家榮譽(yù)稱號(hào)獲得者樊錦詩堅(jiān)守大漠,守護(hù)世界寶藏莫高窟的壯麗人生故事。 扎根敦煌五十余載,樊錦詩(陳瑾 飾)與敦煌研究院的同事們一起,孤獨(dú)的與西北的漫天風(fēng)沙搏斗,搶救和保護(hù)莫高窟內(nèi)的每一件文物; “絕不能讓莫高窟在我們這一代里傳沒了!”時(shí)光步入千禧年,面對(duì)浩蕩襲來的市場化浪潮與來自四面八方的游客,樊錦詩卻赫然發(fā)現(xiàn),原來對(duì)莫高窟內(nèi)國寶威脅最大的,從來都不只是自然環(huán)境,而是叵測的人心......在年過花甲后,她必須要走出自己埋頭苦干一輩子的“洞子”了……

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影片記述了“敦煌女兒”,國家榮譽(yù)稱號(hào)獲得者樊錦詩堅(jiān)守大漠,守護(hù)世界寶藏莫高窟的壯麗人生故事。 扎根敦煌五十余載,樊錦詩(陳瑾 飾)與敦煌研究院的同事們一起,孤獨(dú)的與西北的漫天風(fēng)沙搏斗,搶救和保護(hù)莫高窟內(nèi)的每一件文物; “絕不能讓莫高窟在我們這一代里傳沒了!”時(shí)光步入千禧年,面對(duì)浩蕩襲來的市場化浪潮與來自四面八方的游客,樊錦詩卻赫然發(fā)現(xiàn),原來對(duì)莫高窟內(nèi)國寶威脅最大的,從來都不只是自然環(huán)境,而是叵測的人心......在年過花甲后,她必須要走出自己埋頭苦干一輩子的“洞子”了……

導(dǎo)演精選

點(diǎn)到為止

“象形拳”傳人金毛(尹正 飾)在一次比賽中意外躺贏,憑借各種反向操作玩轉(zhuǎn)流量搖身一變成“黑紅頂流”!因此被資本一眼看中,“網(wǎng)紅假大師”金毛決定返鄉(xiāng)組建“表面功夫”團(tuán)隊(duì)接著“忽悠”狂賺2個(gè)億!全村人戲精上身,在從心功夫小鎮(zhèn)熱鬧上演了一出精彩好戲!

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

限時(shí)營救2025

  Follows an ex-black ops team that reunites to pull off a desperate heist and save the life of an eight-year-old girl.