劇情簡介
姐姐今天開始看起來像個女人。大學生胡賢宇和有抱負的作家智云是堂兄。暫無內(nèi)容從小就很親近。暫無內(nèi)容成年人通常只在家中有兩個人參加會議，同時，Jinho和Hana睡在一起，與兄弟姐妹建立了聯(lián)系。然后他們開始意識到彼此是有原因的，最后，兩人越過了不該越過的河流。暫無內(nèi)容發(fā)現(xiàn)父母之間的關(guān)系之后暫無內(nèi)容賢宇的房子搬走了，戀愛關(guān)系結(jié)束了。之后，二十年后，兩個成年人開始住在一所房子里……
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新年伊始 不合適也要有個限度！～不能認真聊聊嗎？～
阿部貞夫,仲里依紗,磯村勇斗,吉田羊,河合優(yōu)實,錦戶亮,江口德子,袴田吉彥,小野武彥,坂元愛登,三宅弘城,八島智人,中島步,山本耕史,古田新太2026年新年，渚（仲里依紗 飾）在咖啡店“SCANDAL”迎來意外訪客——從昭和穿越而來的市郎（阿部隆史 飾）。借助井上（小野武彥 飾）研發(fā)的“時間隧道”，他們得以往返各個時代。市郎試圖改變女兒純子（河合優(yōu)實 飾）與命運的相遇，又回到1995年地震前夕阻止悲劇，卻引發(fā)新的漣漪。與此同時，渚卷入政治風波，支持的女性議員平純子（江口德子 飾）在2036年竟將成為日本首位女首相。為了守護家人與未來，市郎踏上最后的時空冒險。
懸案密碼4
尼古拉·雷·卡斯,法瑞斯·法瑞斯,約翰·路易斯·施密特,索倫·比爾馬克,范妮·博內(nèi)代爾,克拉拉·羅薩杰,路易斯·斯科夫,阿曼達·拉德里亞克,安德斯·霍夫,尼可拉斯·布若,埃利奧特·克羅賽特·霍夫,碧爾特·諾伊曼,邁克爾·布羅斯楚普,瑪麗安·霍格斯布羅,薇比珂·哈斯特倫,特賴恩·帕里森,納斯塔加·阿爾賽,亨里克·韋斯特加德·尼爾森,拉多·哈季奇,安德斯·布林克·馬德森,旺達·佩德爾維茨丹麥懸疑犯罪片，該片刷新丹麥國產(chǎn)片票房紀錄，是系列電影《懸案密碼》的第四部，也是最終章，《懸案密碼》系列改編自丹麥小說家尤西·阿德勒-奧爾森（JussiAdler-Olsen）的同名小說，
懸案密碼4
尼古拉·雷·卡斯,法瑞斯·法瑞斯,約翰·路易斯·施密特,索倫·比爾馬克,范妮·博內(nèi)代爾,克拉拉·羅薩杰,路易斯·斯科夫,阿曼達·拉德里亞克,安德斯·霍夫,尼可拉斯·布若,埃利奧特·克羅賽特·霍夫,碧爾特·諾伊曼,邁克爾·布羅斯楚普,瑪麗安·霍格斯布羅,薇比珂·哈斯特倫,特賴恩·帕里森,納斯塔加·阿爾賽,亨里克·韋斯特加德·尼爾森,拉多·哈季奇,安德斯·布林克·馬德森,旺達·佩德爾維茨丹麥懸疑犯罪片，該片刷新丹麥國產(chǎn)片票房紀錄，是系列電影《懸案密碼》的第四部，也是最終章，《懸案密碼》系列改編自丹麥小說家尤西·阿德勒-奧爾森（JussiAdler-Olsen）的同名小說，
不離不棄2026
張芷溪,初俊辰,沈曉海,黃俊鵬,楊青倩電影主要講述了睿智沉穩(wěn)的徐文軒、外表文靜秀美但性格反叛火爆的白若雪，與偽君子海石在游戲世界相遇相識后，在現(xiàn)實世界里產(chǎn)生糾葛的愛情故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
生活殘骸
柯林·奎恩,Devin Fabry,Carla Oudin,艾米·舒默,喬什·塞加拉,瑞恩·法瑞爾,Robert E. Torres,吉姆·佛羅倫丁,Robert Kelly,Dan Soder,約翰·塞納,戴夫·阿特爾,瓦妮莎·貝爾,蒂爾達·斯文頓,蘭道爾·樸,喬·格拉瑟,埃茲拉·米勒,布麗·拉爾森,邁克·比爾比利亞,諾曼·勞埃德,比爾·哈德爾,勒布朗·詹姆斯,丹尼爾·雷德克里夫,瑪麗莎·托梅,戴夫·漢森,皮特·戴維森,吉姆·卡拉梅爾勒,馬索·曼恩,克勞迪婭·奧多爾蒂,凱文·凱恩,蒂姆·麥道斯,妮基·格女孩艾米（艾米·舒默 Amy Schumer 飾），從小被父親教導婚姻不現(xiàn)實，一夫一妻不現(xiàn)實，長大后熱衷泡吧，一直與不同男人約會卻從不戀愛。一天，身為男性雜志編輯的她，前去采訪一位專為運動員治療運動損傷的醫(yī)生亞倫（比爾·哈德爾 Bill Hader 飾），不料遇見了可能終結(jié)她完美單身生活的真命天子?！ ”酒膳鹘前住な婺巹?，根據(jù)她本人的真實經(jīng)歷改編。
燃燒的夜晚
布萊恩娜·伊維根,查理·塔漢,加瑞特·迪拉胡特獅門出品 必屬精品 暴風雨來襲 一女孩和她有孤獨癥的弟弟被困在一個有老虎的房子里