愛(ài)之女巫
一個(gè)年輕漂亮的女巫Elaine, 決定去找個(gè)愛(ài)她的男人。她在她的維多利亞風(fēng)格的公寓里制作魔法-水和魔咒,然后挑選一些男人誘惑他們。然而她的咒語(yǔ)太有效了,止于用繩子勒死一個(gè)不幸的受害者。當(dāng)她終于遇到心目中的男人時(shí),她對(duì)愛(ài)的渴望令她走向了精神失常的邊緣以及謀殺
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羅伯特·多納特,瑪?shù)铝铡た?露西·曼海姆,戈弗雷·特爾,佩吉·阿什克羅福特,約翰·勞里,海倫哈耶,懷利·沃森,格斯·麥克諾頓,查爾斯·貝內(nèi)特,馬修·博爾頓,阿爾弗雷德·希區(qū)柯克,邁爾斯·馬勒森,弗雷德里克·派珀,約翰·特恩布爾,Frank Cellier,Jerry Verno,Peggy Simpson,Ivor Barnard,Noel Birkin,Carleton Hobbs,Vida Hope,Elizabeth Inglis,James Knight,Hilda Trevelyan,S.J.歡樂(lè)歲月2025
丹尼爾·雷德克里夫,喬納森·格羅夫,琳賽·門(mén)德茲,瑞格·羅杰斯,克里斯托·喬伊·布朗,Katie Rose Clarke,Natalie Wachen取款機(jī)殺人夜
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魚(yú)刺2025
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姜武,王志文,李乃文,林子燁,孫茜,馮文娟,溫碧霞,李善玉,張琪,李彧,烏蘭托雅·朵,平田康之,小野巽,佐藤匠,徐光宇赤紅生死線(xiàn)
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凱瑟琳·巴雷爾 Katherine Barrell,阿里·利伯特,安德魯·J·漢普頓影視排行
最后一根稻草
杰瑞米·西斯托,杰西卡·貝爾金,格倫·古爾德,Levon Panek,Tara Raani,Jack DiFalco,泰勒·科瓦爾斯基,Sebastian Delascasas,Christopher M. Lopes,Brian Wolfe,Kayla Harrity,Michael Giannone,Joji Otani-Hansen在父親的小餐館發(fā)生了可怕的案件后,Nancy決定獨(dú)自值完當(dāng)晚的最后一班來(lái)收拾殘局。但她不知道,自己并非孤身一人,她必須在漫漫長(zhǎng)夜中為自己的生命而戰(zhàn)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
爆水管
彭于晏,艾倫,周游,閆佩倫,楊皓宇,蔣雪鳴,付航,潘斌龍,卜鈺,張琪,黃炎,徐東,楊朕,楊晨汐,周彥辰,劉亦淳,普雷姆·亞達(dá)夫,景瓷,艾然一個(gè)東南亞小鎮(zhèn)中,卷王警察于大海(彭于晏 飾)起早貪黑,努力工作,讓小鎮(zhèn)連續(xù)7年維持0犯罪率。結(jié)果因?yàn)闆](méi)有案子,警察將被全員辭退,“鐵飯碗”成了“塑料碗”,為保住工作,于大海決定和隊(duì)友們一起造個(gè)大案。與此同時(shí),真正的大案正在發(fā)生,前來(lái)投奔羅四季(艾倫 飾)的盜墓賊羅浩(周游 飾)、牛大輪(閆佩倫 飾)一家人,盯上了傳說(shuō)中藏有寶藏的古墓,而這個(gè)古墓就在警局之下......
柏蒂娜的苦淚
瑪吉特·卡斯滕森,漢娜·許古拉,卡特琳·沙克,埃娃·馬特斯,吉塞拉·法克爾代,伊爾姆·赫爾曼佩特拉(瑪吉特·卡斯滕森 Margit Carstensen 飾)是一位小有名氣的女畫(huà)家,和丈夫結(jié)婚多年,兩人養(yǎng)育了一個(gè)女兒。然而,隨著時(shí)間的推移,佩特拉發(fā)現(xiàn)自己越來(lái)越看不起虛偽冷漠的丈夫,不自由的婚姻生活令她感到窒息,于是,她選擇了離婚 經(jīng)朋友西朵妮(Katrin Schaake 飾)的介紹,佩特拉結(jié)識(shí)了名為卡琳(漢娜·許古拉 Hanna Schygulla 飾)的美國(guó)女子,趣味相投的兩人很快就彼此吸引,開(kāi)始了她們的同居生活。佩特拉供養(yǎng)著卡琳,并且積極地將她引入時(shí)裝模特的行列,然而,卡琳卻將佩特拉的愛(ài)意視為束縛,最終她選擇了離開(kāi)。失去了卡琳,佩特拉的生活陷入一片混亂,漸漸走向崩潰的邊緣。