真晝之禁獵區(qū) オフィスラブ 真晝の禁猟區(qū) (1985)

? 0.9 播放：04萬 2026-04-25
主演：佐伯俊道 

玲子是受雇于一家大公司的高級應(yīng)召女郎。 她會做任何必要的事情來幫助她的雇主以開拓新業(yè)務(wù)，包括淫亂和羞辱，以取悅她的高級客戶。玲子私下秘密和競爭對手公司高管上床。她的一位老情人也回到身邊尋求愛情，她的世界發(fā)生了翻天覆地的變化。問題是他結(jié)婚了！還有一個害羞的員工也在追求她，玲子陷入了一場可能永遠(yuǎn)改變她未來的三重感情旋渦。

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? 播放 真晝之禁獵區(qū) オフィスラブ 真晝の禁猟區(qū) (1985)

劇情提要

玲子是受雇于一家大公司的高級應(yīng)召女郎。 她會做任何必要的事情來幫助她的雇主以開拓新業(yè)務(wù)，包括淫亂和羞辱，以取悅她的高級客戶。玲子私下秘密和競爭對手公司高管上床。她的一位老情人也回到身邊尋求愛情，她的世界發(fā)生了翻天覆地的變化。問題是他結(jié)婚了！還有一個害羞的員工也在追求她，玲子陷入了一場可能永遠(yuǎn)改變她未來的三重感情旋渦。

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

牧群

　　The first feminist vegan horror film, The Herd has been rejected by some film festivals for being too horrific or political. A number of kidnapped women are kept imprisoned in a squalid medical facility condemned to a life of enforced servitude at the whims of their captors, without any hope of rescue or escape.