財子名花星媽
海外富商Jimmy、John暫無內容偕友來港獵艷,暫無內容透過淫媒蓮蓮結識名花.暫無內容John暫無內容本看上王夢華,暫無內容卻嫌她小家子氣,暫無內容后雖與苗麗君勾搭上,暫無內容卻對純情的張小玲念念不忘.暫無內容Jimmy暫無內容喜歡歌星美寶,暫無內容但現(xiàn)鈔、華服、美鉆均無法打動佳人,暫無內容還被她狠狠地教訓了一頓.暫無內容玲母嗜賭欠債,暫無內容竟以苦肉計逼玲向John暫無內容獻身.暫無內容玲到酒店借醉大罵John暫無內容玩弄女性,暫無內容John暫無內容心生憐惜,暫無內容決以禮相待.暫無內容翌日玲醉醒,暫無內容在酒店外遇見記者,暫無內容驚惶中被汽車撞倒,暫無內容在醫(yī)院懇求John暫無內容帶她到海外重過新生,暫無內容John暫無內容欣然答允.暫無內容寶弟考獲獎學金,暫無內容惜無法支付留美生活費,暫無內容寶決定賣身給Jimmy,暫無內容Jimmy暫無內容得悉真相,暫無內容自覺慚愧,暫無內容無條件送贈二萬元予寶.暫無內容華出賣肉體原受養(yǎng)母所逼,暫無內容卻反遭母妹奚落,暫無內容悲憤之下跳樓自殺.......
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馬特·達蒙,本·阿弗萊克,史蒂文·元,緹雅娜·泰勒,薩莎·卡萊,卡塔琳娜·桑地諾·莫雷諾,斯科特·阿金斯,凱爾·錢德勒,內斯特·卡博內爾,琳娜·埃斯科,辻大介,何塞·巴勃羅·坎蒂略,伊萬·阿馬羅·布隆,艾莉·莫雷諾,肖恩·邁克爾,克里斯·西爾維斯特里,凱瑟琳·德明,戴夫·費里爾,奇里爾·保蘭一群邁阿密警察在一間廢棄的藏身屋發(fā)現(xiàn)數(shù)百萬現(xiàn)鈔，彼此之間的信任開始瓦解。隨著外部人士得知充公金額如此可觀，一切變得疑點重重，到底還剩下什么可以相信？又有誰依然值得信賴？
重案·無罪
張?zhí)炱?步籽穎 Ziying Bu,于榮光,杜玉明,梁焯滿,駱言,吳永康,朱梓玥,樓學賢,張嘉飛,張苡寧本片講述了重案組組長張晨峰被余建明陷害成殺人兇手后，張晨峰被捕后，在刑偵專家周楊與重案組成員的努力 下，成功將真正的連環(huán)殺人案的 兇手緝拿歸案的故事。
復仇天使
弗朗西斯卡·伊斯特伍德,小克利夫頓·克林斯,邁克·韋爾奇,莉亞·麥肯德里克,彼得·瓦克,安德魯·卡德威爾,大衛(wèi)·蘇利文,亞當·拉扎爾-懷特,戴維·哈,邁克·C·曼寧,馬龍·楊故事講述藝術系女生諾麗遭到同學性侵后，決定正面PK性侵者、展開還擊計劃。影片今秋北美上映。
邁克爾·杰克遜：巨星之路
賈法爾·杰克遜,尼婭·朗,勞拉·哈里爾,朱利亞諾·瓦爾迪,邁爾斯·特勒,科爾曼·多明戈,喬·吉列特,卡特琳娜·格蘭厄姆,拉倫茲·泰特,德里克·盧克,杰西卡·蘇拉,漢克·諾思羅普,肯德里克·桑普森,約瑟夫·戴維-瓊斯,內森尼爾·洛根·麥金太爾,凱林·多瑞爾·瓊斯,邁卡·麥克尼爾,莫妮克·林賽,奧利維婭·塔卡格什,凱蒂·凱影片講述邁克爾·杰克遜在音樂之外的人生旅程，從他以杰克遜五人組主唱之姿被發(fā)掘出驚人天賦的那一刻起，直到他成為一位極具遠見的藝人，他以無窮無盡的創(chuàng)作能力激勵自己成為全世界最偉大的娛樂巨星。這部電影同時呈現(xiàn)邁克爾·杰克遜舞臺之外的真實人生，并且重現(xiàn)他早期個人演藝生涯中最具代表性的經(jīng)典表演，這部電影為觀眾提供最貼近的視角，以前所未見的方式窺探這位流行天王的內心世界。他的故事就此展開。
百夜樓
范明,王珞嘉,魏曉璇,樓南光,九孔民國年間，馬文才、張小猴師徒混跡南方做一些冒充高人的騙人勾當，意外卷入一場兇殺案，被誤當做殺人兇手。為解除嫌疑二人不得不留在此地揪出真兇。接二連三的怪事兒似乎證實了之前不詳?shù)膫髀?，張小猴發(fā)現(xiàn)近日的種種遭遇竟和一個困擾自己多年的夢境有關。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.