被侵犯的白衣

★ 0.4 播放：28萬 更新：2026-04-28

白百合醫(yī)院位于某個海濱小鎮(zhèn)的森林中，這里的宿舍住著六名青春美麗的女護士。由于病患稀少，與世隔絕，女孩們身心的欲望難以抑制，在漫長而躁動的夜晚，她們有的選擇彼此慰籍，有的則蹲在門外窺視，目光中充滿了興奮、激動和不安。某晚，一個俊美且面帶憂郁的男青年（唐十郎飾）路過此地，他正處在青春躁動期，對女性的身體既充滿渴望，又對這樣的誘惑懷有莫大的恐懼和憎惡。女孩們將青年引入宿舍，并強迫他窺視兩個女孩纏綿的場景。青年無法忍耐，他闖了進去，怒不可遏地槍殺一名女孩。在此之后，他囚禁了其他五名護士。在手槍面前，她們惶恐、諂媚、義正言辭，卻發(fā)現(xiàn)死亡才是唯一的通行證……

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劇情簡介

白百合醫(yī)院位于某個海濱小鎮(zhèn)的森林中，這里的宿舍住著六名青春美麗的女護士。由于病患稀少，與世隔絕，女孩們身心的欲望難以抑制，在漫長而躁動的夜晚，她們有的選擇彼此慰籍，有的則蹲在門外窺視，目光中充滿了興奮、激動和不安。某晚，一個俊美且面帶憂郁的男青年（唐十郎飾）路過此地，他正處在青春躁動期，對女性的身體既充滿渴望，又對這樣的誘惑懷有莫大的恐懼和憎惡。女孩們將青年引入宿舍，并強迫他窺視兩個女孩纏綿的場景。青年無法忍耐，他闖了進去，怒不可遏地槍殺一名女孩。在此之后，他囚禁了其他五名護士。在手槍面前，她們惶恐、諂媚、義正言辭，卻發(fā)現(xiàn)死亡才是唯一的通行證……

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.