即刻觀影
劇情賞析
編輯推薦
溫泉鯊
金子清文,藤村拓矢,中西裕胡,內(nèi)藤正記,安原寛之,野二紀(jì)人在S縣暑海市發(fā)生了一起連環(huán)失蹤案件，受害者的遺體竟然都在海中被發(fā)現(xiàn)。為了揭開(kāi)真相，警察署長(zhǎng)與海洋生物學(xué)博士聯(lián)手展開(kāi)調(diào)查，最終他們發(fā)現(xiàn)，遠(yuǎn)古鯊魚(yú)通過(guò)溫泉來(lái)回穿梭，襲擊了無(wú)辜的市民…
偷心響叮當(dāng)
奧利維亞·霍爾特,康納·斯溫德?tīng)?彼得·塞拉菲諾威茨,露茜·彭奇,帕皮·德雷頓,艾德·基爾,詹姆斯·德萊頓,卡倫姆·西維耶,Diane Spencer,Alara-Star Khan,蓋·羅賓斯,Elizabeth Bower,皮埃爾·伯格曼,Aylin Scott,斯圖爾特·惠蘭,Michael Salami,安娜貝爾·庫(kù)塔伊,泰勒·沙利文,Belal Sabir,Brooke Henzell影片講述了索菲亞（霍爾特飾）和尼克（斯溫德?tīng)査癸棧┑墓适?，兩個(gè)小偷發(fā)現(xiàn)他們正在追逐同一個(gè)目標(biāo)——在圣誕夜搶劫倫敦最臭名昭著的百貨公司之一?，F(xiàn)在，他們不得不勉強(qiáng)聯(lián)手，但隨著彼此感情的加深，他們保守的秘密最終可能會(huì)危及他們的關(guān)系和這起搶劫案。
鬼們之蝴蝶大廈
尹馨,曹佑寧,馮淬帆,白潤(rùn)音,蔡振南,莊凱勛,安心亞,曾莞婷陳薇（尹馨 飾）帶著女兒（林采潔 飾）為躲避家暴的丈夫住進(jìn)有自殺勝地之稱(chēng)的蝴蝶大廈后怪事頻傳。管理員梁伯（馮淬帆 飾）和頂樓的廟公山叔（蔡振南 飾）不斷提醒她這一層樓不太干凈，如果有能力還是盡快搬走，但是經(jīng)濟(jì)拮據(jù)的她暫時(shí)只能棲身于此。各種三教九流的鄰居、雜貨鋪有陰陽(yáng)眼的自閉癥男孩阿弟（白潤(rùn)音 飾），還有那間被再三交代禁止靠近的613號(hào)房，一切都令陳薇感到詭異莫名。外表陽(yáng)光的代班管理員小梁（曹佑寧 飾）對(duì)獨(dú)立堅(jiān)強(qiáng)的陳薇照顧有加，經(jīng)常借故上門(mén)幫忙維修家電，陳薇女兒看到他來(lái)也會(huì)難得露出微笑。正值鬼門(mén)開(kāi)時(shí)，蝴蝶大廈內(nèi)意外頻傳，甚至發(fā)生許多靈異事件，但老住戶(hù)們似乎已經(jīng)習(xí)以為常。陳薇原本是想帶女兒逃離丈夫，不料卻將自己卷入更大危機(jī)之中...
三個(gè)神探與喀爾巴阡之犬
Florentine Behrend,Levi Brandl,菲利普·克里斯托弗,Luis Dyangani,西拉-安娜 法爾,Mapi Plácido,Filip Schnack...
上身
田牧童,劉述,郭星顯,黃伊伊,周炎同居男友許一恒遭遇事業(yè)難關(guān)，此時(shí)女友成心不但發(fā)現(xiàn)自己懷了孕，還獲知許一恒跟閨蜜馬可好上了，而馬可家境殷實(shí)，能夠幫助他渡過(guò)絕境。成心因?yàn)樯類(lèi)?ài)，選擇成全，離開(kāi)許一恒，并做了人流手術(shù)，不料這胎兒竟成了“嬰靈”點(diǎn)點(diǎn)。后來(lái)點(diǎn)點(diǎn)決定“帶走”成心，慧化大師用佛法感化點(diǎn)點(diǎn)，并將其“交給了佛”。不久成心再受邪祟之?dāng)_，點(diǎn)點(diǎn)冒險(xiǎn)回來(lái)搭救，也還原了真相……借此告誡切莫輕易墮胎，佛門(mén)有曰“五逆重罪”，墮胎必是冤孽。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster