妓院里的回憶 L'apollonide (Souvenirs de la maison close)
1900年的巴黎，妓院普蘿奈像一座宮廷一樣，成為寒夜里最溫暖的地方。波莉娜·德埃（Iliana Zabeth 飾）剛十五歲半，寫(xiě)了封自薦信要求到妓院工作，聲稱(chēng)希望“自由”；美麗的瑪蓮娜（Alice Barnole 飾）遇上一個(gè)肯給她藍(lán)寶石的客人，她以為是愛(ài)情，卻迎來(lái)把她割成笑面人的刀子；朱莉（Jasmine Trinca 飾）不幸染上梅毒，老相好只給她寫(xiě)來(lái)情意綿綿的信，放任她死亡，只有姐妹們哭泣……妓院里浮光掠影著百年前的種種，男人和貴族們的奇怪欲望，女人們被持續(xù)物化，虐戀和疾病永不止息，假面舞會(huì)要終結(jié)怎樣的痛苦……
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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
厲嘯崩心
Gina Henkel,安東·威爾,帕維·德朗柯As bacteriologist Lena (38) drives past a burning car, she hears a scream of a dying woman. Lena does not tell her boyfriend how much the incident distresses her, just as she does not talk about the stillbirth she recently had. Instead, she throws herself into her work, intrudes into the life of the deceased, begins an affair with the widower and gradually takes on the role of mother to their son. Her persistent insomnia causes her to lose control between dreams and reality. Finally she accepts the help of a whisperer and then finds her own way to cope with her loss
那家伙
周元,柳海真,李裕英,劉慧英,李俊赫,金英熊1999年釜山的一個(gè)小村莊里，女學(xué)生恩智（劉慧英飾）被害身亡，她的哥哥張宇（周元飾）也失去了唯一的親人，他決心一定要查出殺害妹妹的兇手。由于一點(diǎn)線(xiàn)索都沒(méi)有，張宇不得不借助能預(yù)知死亡的少女（李柔英飾）的力量來(lái)追查真兇，并在追查的過(guò)程中，盯上了小區(qū)內(nèi)平常人緣和口碑都不錯(cuò)的藥店藥師閔藥局（劉海鎮(zhèn)飾），雖然沒(méi)有證據(jù)，但是張宇卻認(rèn)定他就是“那個(gè)家伙”，于是開(kāi)始24小時(shí)緊盯著閔藥局 。
猛虎末路
勞倫斯·魯波,大衛(wèi)·舒特,塞巴斯蒂安·烏澤多夫斯基,安德烈·赫尼克,阿爾恩特·施韋林·索瑞,倫納德·昆茲,Tilman Strauss,Yoran Leicher一輛德國(guó)虎式坦克的五名車(chē)組成員被派往戰(zhàn)火紛飛的前線(xiàn)后方執(zhí)行一項(xiàng)秘密任務(wù)。在德軍亢奮藥物的刺激下，他們的任務(wù)逐漸變成了一場(chǎng)深入黑暗之心的旅程。
搖滾萬(wàn)萬(wàn)歲
羅伯·萊納,邁克爾·麥基恩,克里斯托弗·格斯特,哈里·謝爾,布魯諾·柯比,小艾德·博格里,比利·克里斯托,安杰麗卡·休斯頓,佛萊德·威拉特1982年，英國(guó)傳奇重金屬樂(lè)隊(duì)Spinal Tap搖滾樂(lè)團(tuán)紅極一時(shí)。電影導(dǎo)演馬蒂（羅伯·萊納 Rob Reiner 飾）是Spinal Tap樂(lè)團(tuán)的一位忠實(shí)粉絲。Spinal Tap樂(lè)團(tuán)要來(lái)美國(guó)舉行一次復(fù)出巡演，馬蒂則為Spinal Tap樂(lè)團(tuán)拍攝隨行紀(jì)錄片。本部仿紀(jì)錄片刻意杜撰出一個(gè)英國(guó)搖滾樂(lè)團(tuán)Spinal Tap，活靈活現(xiàn)的刻畫(huà)出了搖滾樂(lè)團(tuán)臺(tái)上臺(tái)下表里不一的嘴臉，對(duì)當(dāng)代搖滾樂(lè)做出了尖銳的諷刺和嘲諷?！ ”酒闪_伯·萊納自編自導(dǎo)自演之作。影片中的電影音樂(lè)均由演員們親自演奏創(chuàng)作而成。
角落小伙伴：天空王國(guó)與兩位小伙伴
井之原快彥,本上真奈美故事舞臺(tái)設(shè)于云上天空王國(guó)。當(dāng)王子從天空王國(guó)墜入陰雨連綿的角落小鎮(zhèn)，救助王子的角落小伙伴們得知云上世界陷入嚴(yán)重水危機(jī)，為拯救王國(guó)展開(kāi)冒險(xiǎn)。